Category Archives: Exhibitions

Maximum Meaning, Minimum Means: Abram Games at the Jewish Museum London

During the Golden Age of GPO public relations under Stephen Tallents many prominent designers were employed to create posters for everything from ‘Post early’ Christmas campaigns to staff unions. One such designer was Abram Games who In March this year Royal Mail selected along with nine other distinguished subjects born in 1914, to feature on a stamp for its Remarkable Lives series.

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It’s fitting that in this centenary year, the Jewish Museum, London is celebrating the life and work of this iconic graphic designer in a major new exhibition; Designing the 20th Century: Life and Work of Abram Games (until 4 January 2015)

Games was the leading graphic designer of the postwar years and during his 60 year career was awarded numerous prestigious public commissions, including being appointed Official War Poster Artist during World War Two and designing the first animated BBC ident. He worked extensively with London Transport and his 1976 poster for London Zoo was recently chosen by Londoners as their second favourite poster for London Underground.

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Games’s war posters included the popular but controversial Join the ATS recruiting poster (1941), whose alluring female subject earned it the nickname ‘Blonde Bombshell’ and the condemnation of the House of Commons.

By the 1950s, Games was the foremost designer working in Britain and had carried out commissions for the General Post Office, the BBC and London Transport. In 1948, Games was commissioned by the General Post Office to design the official Olympic Games stamp and in 1951 he was awarded the commission to design the emblem for the Festival of Britain, one of the most significant designs of his career.

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Don’t miss your chance to see this major exhibition and discover more about the life and work of Abram Games as well as his celebrated theory which provided the framework for all of his compositions; ‘maximum meaning, minimum means’.

New objects at Last Post exhibition!

Our year-long exhibition, Last Post, is currently at Coalbrookdale Gallery, one of the museums at Ironbridge Gorge. Many of the paper items that have been shown over the last six months have been removed and replaced with other items that have never before been displayed.

The two original manuscript poems- ‘Dulce Et Decorum Est’, and ‘The Letter’, written by Wilfred Owen, that were on loan from the British Library have been taken off display and replaced by identical facsimile versions. The continued display of these ground breaking poems in facsimile form will enable the story of Shropshire-born Wilfred Owen to remain central to  the exhibition, until it closes on 30 March 2015.

For the first time ever, we will be displaying a Princess Mary tin, sent through the post as a Christmas gift to all serving soldiers during Christmas 1914. This was the initiative of the then 17 year old Princess Mary, daughter of King George V. A public appeal was launched to raise the money for the manufacture the tins and to buy the contents which included items such as tobacco or chocolate inside. Over 426,000 Princess Mary tins were posted to those serving on Christmas Day 1914.

Princess Mary tin

Princess Mary tin

We are also delighted to be displaying a First World War diary, recently acquired by the BPMA. The diary was written by a Post Office Rifle, Sergeant Thomas May, in 1915. Thomas May entered the Post Office as a Telegram Messenger Boy aged 14. His diary details his time in the Post Office Rifles  as he made his way to the Fighting Front in France. May was badly wounded during the War, but survived, and returned to work at the Post Office. A full transcription of the diary will be available in the exhibition for visitors to read.

Photograph of six people holding brooms and rifles. PORs changed into this when they were cleaning their uniform. Thomas May is third from left.

Photograph of six people holding brooms and rifles. PORs changed into this when they were cleaning their uniform. Thomas May is third from left.

Three embroidered cards rounded up the changes to the exhibition. Embroidered cards were made by French women on the front for soldiers to send back to loved ones as momentos. The often contained a little message hidden inside an embroidered flap.

Three of the embroidered cards on display.

Three of the embroidered cards on display.

You can find out more by visiting Last Post or viewing our online exhibition.

-Dominique Gardner, Exhibitions Officer

NEW EXHIBITION Innovation in the air: The 80th anniversary of inland airmail

20 August 2014 marks the 80th anniversary of UK inland airmail delivery. To mark this fascinating story we are hosting a new display in the BPMA Foyer and Search Room from 20 August to 20 October.

Alongside the display will be the chance to look through facsimile examples of newspaper reports from 1934; visitors can read first-hand accounts of the storm chaos that overshadowed the inaugural flight on 20 August. Evening newspaper headlines were quick to tell the public of the bumpy start to the service. Contemporary accounts from the time scream aloud ‘Britain’s Great Air-Mail Muddle’ and tell of the ‘Mail Planes In Gale Ordeal… Chairman of New Line ‘Bumped’ Through Roof’.

Airmail logo.

Airmail logo.

Alongside a discussion of the merits and limitations of the new airmail service, the display will also look at other unusual methods to deliver the post that were trialled around this time- namely the ultra-imaginative but ultimately unsuccessful rocket mail, which saw mail actually delivered in specially designed rockets.

Newspaper report and picture of Zucker’s rocket exploding on Scarp,  The Daily Telegraph, 1 August 1934.

Newspaper report and picture of Zucker’s rocket exploding on Scarp,
The Daily Telegraph, 1 August 1934.

Partly burnt items of mail, singed during the rocket explosions, can still be seen in our collection today.

‘How is the Post Office to make itself heard, to capture the interest and attention of the public, upon which there are already so many claims?’ – Sir Stephen Tallents, 1934

With the growing volume of letters sent by air came the idea of having special letter boxes for their collection. In 1930 the Post Office began painting pillar boxes to be used for airmail collections an ‘Air Force’ blue colour. The eye catching blue boxes promoted and advertised the new airmail service now available to the public. On display for the duration of the BPMA display will be a blue ‘Air Mail’ pillar box.

Our airmail pillar box.

Our airmail pillar box.

By 1934, the Post Office had become very conscious of design. A Public Relations department had been created under Sir Stephen Tallents. Theyre Lee- Elliott was commissioned to redesign labels, leaflets and posters especially for the new airmail service. Based upon stylised wings the new label was introduced on 25 July 1934. Just prior to that, on 17 May 1934, a new flag was authorised for aircraft carrying the Royal Mail.

Available alongside the display, from our Post & Go machine, will be a special commemorative Post & Go stamp, which will include a pictorial element for the first time. The underprint will incorporate the airmail logo designed by Theyre Lee-Elliott in 1934 for use on Inland Airmail posters, flyers and labels, with the text “Inland Airmail 1934”.

Check out our airmail shop range for first day covers, mugs, postcards and much more!

We will also be launching a Google Cultural Institute online exhibition on Wednesday exploring the stories of innovation in delivering the post. ‘Post Haste’ will look at the unusual and imaginative ways that have been used to transport the mail from cats to rockets and many more!

- Dominique Gardner, Exhibitions Officer

Students from the Worcester Polytechnic Institute Massachusetts visit the BPMA

We are a group of four students from Worcester Polytechnic Institute (WPI) in Worcester, Massachusetts, USA. At the beginning of the summer, from May 12th to June 28th, we had the privilege of working with the British Postal Museum and Archive to develop better visitor evaluation strategies. The goal of our project was to help improve visitor evaluation within their exhibitions which primarily focused on the Last Post Exhibition.

Mail Rail

WPI Students take a tour of Mail Rail

The overall experience was fantastic, filled with opportunities and memories. We were able to visit and explore some of the most popular museums in London including the Natural History, Victorian and Albert, and Science museums. At these museums, we observed visitors to identify what they enjoyed and see how the set up can affect visitor engagement.

Nysa

Nysa at Last Post Coalbrookdale

We also had the pleasure of working with BPMA visitors. Getting to know those who enjoyed the BPMA’s work, and asking them for helpful insight into what they learned and what they think would improve the sites. Working at events and visiting the Last Post exhibition at Mansfield and Coalbrookdale was a thrilling experience; we not only learned about the exhibitions but also were able to test many different evaluation methods such as interview, surveys, creative writing/drawing activities and observations.

Shuyang

Shuyang with the postal uniform display

We gathered some informative and gratifying feedback, for example one visitor said she “…learned so much more about a city [she had] lived in for 40 years.” Others said that they “did not realize the extent of Post Office involvement in the First World War.” The feedback we gathered was helpful and greatly aided our research objectives.

Enjoying London

WPI Students enjoying London

Aside from gaining new knowledge about museum goers, as a team we were able to improve our professional writing skills, communicate with a broad range of people, and work efficiently in a group setting. This experience also enabled us to grow as young professionals; we believe this project has added to a foundation of what the working world is like.  Living in London was an experience of a lifetime; adapting and working in a different culture will enable us to adapt to all presented opportunities and continue to broaden our understanding of the world.

Thank you,

Angela, Nysa, Shuyang and George

Delivery by Design: Stamps in Antarctica at The Polar Museum, Cambridge

With a population of just 250, The British Antarctic Territory, which covers 660,000 square miles of Antarctica from offshore islands to the South Pole itself, doesn’t necessarily seem like somewhere that the postal service would need to operate. But, despite the low number of permanent residents, the Territory issues both its own postage stamps and coins and even has an Antarctic Postman, based in Port Stanley on the Falkland Islands, who visits the outlying research bases by ship.

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With such a fascinating story to tell, it’s no surprise that there is now an exhibition devoted to the postage stamps of this remote territory. Last Thursday The Polar Museum in Cambridge launched the captivating Delivery by Design: Stamps in Antarctica exhibition. With the assistance of the Foreign and Commonwealth Office and the Scott Polar Research Institute the exhibition uses stamps, printing proofs and original artworks to shed light on this little known corner of the globe, from native wildlife including Emperor Penguins and Huskies to ships ploughing through ice and planes flying over the frozen sea, commemorating British expeditions to the Antarctic throughout history.

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The exhibition at The Polar Museum is a wonderful example of how stamps are much more than just a means of sending a letter from A to B. They are a window into history giving a snapshot of the social, cultural and design influences of any given period across every region of our planet. With every stamp from the Penny Black to the present day and all stamp artwork, both adopted and unadopted (including from such famous artists as Paul Nash, Terence Cuneo and David Gentleman) in our collections, we know that there are hundreds if not thousands of interesting stories just waiting to be told. It’s great to see exhibitions such as that at The Polar Museum bringing these stories into the public domain and I hope you will take the opportunity to pay it a visit.

Adrian Steel – Director

The exhibition will be running at The Polar Museum, Scott Polar Research Institute, University of Cambridge until 6 September 2014. Entry is free and the museum is open 10-4 Tuesday to Saturday. www.spri.cam.ac.uk/museum

Last Post: Remembering the First World War

The First World War was a major turning point in the history of the Post Office. To mark the year of the centenary, our First World War exhibition, Last Post, is now open at Coalbrookdale Museum of Iron, part of the Ironbridge Gorge Museums group.

The exhibition explores the contribution of millions of people to wartime communication and the far reaching role of thePost Office on both the battlefield and the home front.

Field Post Office

Field Post Office

An Oxo tin among other things

Demonstrating the huge variety of items that could be sent through the post in wartime, you can see on display an OXO tin posted home from the fighting front by William Cox, a former Post Office worker. He posted the OXO tin back to his brother and sister, containing a button from the tunic of a fallen soldier and a piece of shrapnel.

Cox's OXO Tin

OXO tin sent home by Cox

Battlefield will and a favourite plant

You can also view the story of Private Leonard Eldridge of the 8th London Regiment (The Post Office Rifles). Soldiers were encouraged to write battlefield wills whilst on the Front. Private Eldridge’s will is on display in the exhibition.

Eldridge writes: ‘everything I possess except the aspadastras plant of mine, I give to you. The plant, I, with my last wish, leave it, and must be given to, Miss Florence Smith… She must be treated in my absence as my lover with every respect.’

Post Office Rifles

8th London Regiment – The Post Office Rifles

Wilfred Owen

Also on display in the exhibition are two original poems written by local Shropshire-born First World War officer and poet Wilfred Owen, kindly lent to us for the exhibition by The British Library.

‘Dulce et Decorum Est’, perhaps Owen’s most iconic poem, is on display. The poem was written in October 1917 and revised a few months later, in early 1918. Owen sent the poem to his mother, Susan Owen, with the message: ‘Here is a gas poem done yesterday, (which is not private, but not final).’

Field Post Box

Soldiers waiting for post

We also fittingly have on display Wilfred Owen’s poem ‘The Letter’. The poem depicts a soldier writing a letter to his wife back home. Whilst writing the letter, the soldier is fatally hit, and a comrade finishes the letter off for him.

The poem highlights the importance of letter writing to soldiers and also the danger present at all times in the trenches. It also illustrates that the contents of letters home may not have accurately depicted the conditions of everyday life for soldiers.

 

The exhibition is open Monday to Friday, until 27th March 2015 and entrance is free.

If you are unable to visit the exhibition in person, we have launched a simultaneous online exhibition in partnership with the Google Cultural Institute.

Dominique Gardner, Exhibitions Officer

From research to panel: how my research made its way to the Last Post

Victoria Davis is an AHRC Collaborative Doctoral Award PhD Student who is conducting her research with the BPMA’s collections. In her first blog post for us, she talks about translating her research to two new panels for the Last Post exhibition. Last Post opens up this Friday in Ironbridge at the Coalbrookdale Museum of Iron.

History PhDs have traditionally been non-collaborative based so the opportunity to work with the archive and gain practical experience within the heritage sector is something I relish. Moreover, given the First World War centenary fast approaching, it seemed fitting to be bringing the Post Office’s role during the war to the public eye.

Lieutenant-General Sir Pratap Singh and the Rajah of Ratlam, at Sir Douglas Haig’s Chateau in Montreuil, 17th June 1916. © IWM (Q 692)

Lieutenant-General Sir Pratap Singh and the Rajah of Ratlam,
at Sir Douglas Haig’s Chateau in Montreuil, 17th June 1916, as seen in Last Post panel. © IWM (Q 692)

The brief from the HLF was open to interpretation with the theme being stories of empire during the war to be displayed on two new pop-up exhibition panels. In an initial meeting, Sally (Learning Officer), Dominique (Exhibitions Officer) and I quickly came to the conclusion of ‘how long is a piece of string?’ The Post Office is a seemingly ubiquitous but often overlooked institution and during the war this was no different. With limited copy available – each panel containing a maximum of 300 words of text – the content would be something the general public could relate to. Panel one comprised the process of mail reaching the front lines.

Section of panel that Victoria contributed to for the Last Post.

Section of panel that Victoria contributed to for the Last Post.

Panel two considered the problems of shipping mail to the empire including the use of coded memos.

Section of panel on Delivering mail to the Empire.

Section of panel on Delivering mail to the Empire with research by Victoria.

What I love most about research is the jigsaw puzzle element, of just choosing documents to see what they offer and this project was no different. I was given free rein to find the most suitable sources for the two panels and the somewhat tricky task of finding an image that linked war, post and empire, in a timeframe of a mere six working days fitted in around my own research. The BPMA has a wealth of documents and I quickly established using the catalogue how much related to the transportation of mail. Armed with my list of catalogue references, I called up those that appeared to the most relevant. This is akin to a game of Russian roulette – you are never quite sure what will happen. Some were less than informative, the shipping contracts had little reference to the routes and problems faced. Others contained vast amounts of detailed information and statistics relating to mail services between 1914 and 1919. Whilst detailed sources are great, I did not have the space of thousands of words to do so in (unlike a thesis) and managed to contain the research to 5000 words. This may seem small – less than half a thesis chapter – but producing concise text to be used as copy with limited editing was a hard task.  Newspapers and periodicals were delivered only a mere 24 hours after publication at the height of the war!

My favourite two documents were POST 33/1211A and POST 56/5. The former contains statistic lists showing the amount of mail posted to the front lines between 1914 and 1919. Shamefully, I had never considered the volume of mail that the Army Postal Service handled. Moreover, I never thought stats would excite me but I spent one evening making a spreadsheet to show the weekly, monthly and yearly averages.

Map of Postal services in the Calais area, March 1918 (POST 56/5).

Map of Postal services in the Calais area, March 1918 (POST 56/5).

Between 1st October and 31st December of 1914, 1.2 million letters were delivered to troops (on top of the 3,477,800,000 letters and 132,700,000 parcels being handled as normal mail in 1914[1]).  POST 56/5 is a leather bound volume offering a detailed history of the Army Postal Service including hand drawn maps of how post was transferred once in France, complete with delivery times and mode of transport. Once my research had been emailed over, my part of the process had finished. I saw one version of the approved panel copy to double check facts and figures but the look, design and images used were to be a surprise. I felt quite nervous walking into the V&A that Friday evening, not knowing what to the expect. Seeing the panels and the full exhibition was a surreal moment. It was my research being read by the general public, something I will not forget. I am thankful that the BPMA gave me the opportunity and keeping me involved from start to finish. PhD students rarely see their research used publicly and it has spurred me on to widen the audience of my thesis research. -Victoria Davis, AHRC Collaborative Doctoral Award PhD Student


[1]House of Commons Parliamentary Papers 1913-1914 [Cd. 7573] Postmaster General Report of 1913-1914 p.1