Tag Archives: stamp design

Happy Birthday Shakespeare

William Shakespeare, renowned playwright and poet, famous worldwide for Hamlet, Romeo and Juliet, Macbeth and his sonnets…but he has another claim to fame. In 1964 Shakespeare became the first commoner to appear on a stamp.

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Hamlet contemplating Yorick’s Skull, designed by C and R Ironside (issued 1964)

In 1964 the Post Office issued a set of stamps to coincide with the Shakespeare Festival, marking the 400th anniversary of his birth. Five designs were chosen, one by C&R Ironside showing an image of Hamlet and four by renowned stamp designer David Gentleman. Gentleman’s stamp designs proved controversial as the image of Shakespeare’s head was the same size as that of the Queen’s making him appear of equal importance. This objection was however overcome and Gentleman’s designs were issued alongside that of C&R Ironside to celebrate the Shakespeare Festival marking his 400th Birthday.

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Shakespeare Festival stamps, 1964

 

It is now his 450th Birthday and both he and his work have found their way onto a variety of stamps worldwide. Some such issues include the Bicentenary of Australian settlement, 1988; the 150th Anniversary of National Portrait Gallery, 2006, which featured celebrated Britons and the Reconstruction of Shakespeare’s Globe Theatre, 1995.

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Reconstruction of Shakespeare’s Globe Theatre stamp issue, 1995

 

Release of Spring Blooms Post & Go stamps

Today a new set of Post & Go stamps featuring springtime flowers was released. The three sets of Post & Go stamps being issued in 2014 will celebrate UK wild flowers and plants.

The species selected for the series include flowers and plants associated with the national flowers of the UK countries – the daffodil (for Wales), thistle (for Scotland), rose (for England) and flax (for Northern Ireland).

First Day Cover.

Post & Go First Day Cover.

Pictorial Post & Go stamps appear in machines in UK Post Offices for defined periods of time in the year and this series is intended to provide striking stamps that are seasonal. So for February early flowering plants will be issued while Post & Go stamps for September will feature many flowers with symbolic meanings.

Snowdrop, 1st Class.

Snowdrop, 1st Class.

Primrose, 1st Class.

Primrose, 1st Class.

Lesser Celandine, 1st Class.

Lesser Celandine, 1st Class.

Dog Violet, 1st Class.

Dog Violet, 1st Class.

Blackthorn, 1st Class.

Blackthorn, 1st Class.

Wild Daffodil, 1st Class.

Wild Daffodil, 1st Class.

Springtime flowers often mark the end of winter, and add colour to the countryside and city parks alike.

The stamps are available from Post & Go terminals in Post Office branches, at www.royalmail.com/postandgo and by phone on 08457 641 641.

Release of Classic Children’s TV Stamps

A new set of stamps issued today celebrates much-loved TV characters from the past 60 years. Each decade since the 1950s is represented in this issue including Postman Pat, Dougal from The Magic Roundabout and Postman Pat, among other beloved characters from the past.

2014 marks both the 40th anniversary of Bagpuss appearing on TV and the 50th anniversary of The Magic Roundabout. As the first stamps issued in 2014, they will attract audiences of all ages.

Peppa_Pig_Stamp

Peppa Pig, 1st class.

Paddington Bear, 1st class.

Paddington Bear, 1st class.

Mr Benn, 1st class.

Mr Benn, 1st class.

Dougal from The Magical Roundabout, 1st class.

Dougal from The Magical Roundabout, 1st class.

Ivor the Engine, 1st class.

Ivor the Engine, 1st class.

Windy Miller from Camberwick Green, 1st class.

Windy Miller from Camberwick Green, 1st class.

Bob the Builder, 1st class.

Bob the Builder, 1st class.

Bagpuss, 1st class.

Bagpuss, 1st class.

Andy Pandy, 1st class.

Andy Pandy, 1st class.

Great Uncle Bulgaria from The Wombles, 1st class.

Great Uncle Bulgaria from The Wombles, 1st class.

Shaun the Sheep, 1st class.

Shaun the Sheep, 1st class.

Postman_Pat_Stamp

Postman Pat, 1st class.

Postman Pat has been a popular children’s TV series since the first episode in 1981. Royal Mail were keen to use Pat as a publicity tool for Post Office services and the programme promoted the idea of the Postman as an essential community figure.

Plastic Postman Pat shape sorter van.

Plastic Postman Pat shape sorter van.

The BPMA collection has a variety of Postman Pat related objects, ranging from original Postman Pat artwork for the comic Buttons Special through to clothing and toys, such as the wind-up Postman Pat.

Postman Pat wind-up walking toy

Postman Pat wind-up walking toy.

The Classic Children’s TV stamps can be ordered through the royalmail.com/childrenstv and by phone on 08457 641 641. They are also available in Post Office Branches across the UK.

Christmas through the post

With only a few days left until Christmas Day we have been collaborating on an exciting new exhibition that explores the fundamental importance of the post at Christmas time.

Our festive exhibition, Christmas through the post, has been developed in collaboration with Beverley Art Gallery. The exhibition, now on display at Beverley Art Gallery, explores the practise of sending post at Christmas time.

Christmas advance posting notification c.1902

Christmas advance posting notification c.1902

Christmas has been celebrated through the post for 170 years. The first known Christmas card was commissioned by Henry Cole in 1843, in the same year as Charles Dickens’s ‘A Christmas Carol’, was published. The BPMA holds one of Cole’s 1843 cards in its collection.

Christmas through the post at Beverley Art Gallery reveals Christmas postal history through a series of images drawn from the collections of the BPMA. On display are iconic images of ‘Post Early for Christmas’ posters and images of Victorian Christmas cards within the BPMA collection.

Exhibition case at Beverley Art Gallery

Exhibition case at Beverley Art Gallery

Promoting early posting for Christmas is the longest running campaign in Royal Mail’s history. The images in the exhibition are taken from the iconic GPO advertising poster collection, held at the BPMA, illustrating the promotion of the services offered by the GPO and the campaign to encourage people to ‘Post Early for Christmas’. The images on display are testament to the breadth and variety of designs that have been used in the ‘Post Early’ campaign, for over 100 years.

Also on display are a small selection of Victorian Christmas cards- illustrating the naturalistic and often pagan designs of the early cards, and their very small size, compared to today’s cards. We also have on display Christmas stamp artwork facsimiles illustrating the designs and creativity of the Christmas stamps and the festive designs by children. Christmas stamps were only introduced in 1966 but remain the most popular stamp sets sold throughout the year. Following the first Christmas stamps in 1966, special Christmas stamps have continued to be issued every year- with designs of either a religious or a secular nature (largely alternating between the two).

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Festive worksheets and activities will be available to accompany the exhibition at Beverley Art Gallery. You can also download the BPMA children’s worksheet designed by Katy Holmes – http://www.katypotaty.co.uk.

Children undertake postal themed activities at Beverley Art Gallery

Children undertake postal themed activities at Beverley Art Gallery

If you are unable to make it to Beverley to see the exhibition, we are very pleased to offer here an alternative online Christmas exhibition - our second online exhibition in collaboration with the Google Cultural Institute.

An exhibition case at Beverley Art Gallery features the first Christmas stamp designed by children.

An exhibition case at Beverley Art Gallery features the first Christmas stamp designed by children.

Christmas through the post is on at Beverley Art Gallery until 8 February.

Beverley Art Gallery
Treasure House
Champney Road
Beverley
East Riding
HU17 8HE

Entry: Free

For more information on any of our exhibitions- we have four available for free hire- please contact Dominique on dominique.gardner@postalheritage.org.uk or on 0207 354 7287.

A very happy Christmas from everyone here at the BPMA!

- Dominique Gardner, Exhibitions Officer

Christmas Stamps 2013

Since Royal Mail first issued Christmas stamps in 1966, over 17 billion Christmas stamps have been printed in Britain. The Christmas 2013 stamp issue goes on sale today, signifying the start of a dramatic increase in social mail and the sale of the most popular stamp issue of the year.

Madonna and Child Christmas stamps available from 5th November.

Christmas 2013 Madonna and Child stamps available from 5th November.

The 2013 designs are of a religious nature, following a long standing tradition of alternating between religious and secular themes. Royal Mail’s objective was to create an issue reflecting different artistic representations of the Madonna and Child across the widest possible timespan, and emphasise diversity in Britain. To emphasise Britain’s diversity, Fadi Mikhail was commissioned to create a Neo-Coptic inspired design, which is featured on the £1.88 stamp.

Christmas 2013 presentation pack available from the Royal Mail shop.

Christmas 2013 presentation pack available from the Royal Mail shop.

The design brief is reminiscent of the 2005 Christmas stamp issue, which illustrated artistic interpretations of the Madonna and Child in different cultures. A striking image printed on the £1.12 stamp was created in coloured sand by Aboriginal Australian artist Dianne Tchumut.

Additional handstamps available with the 2013 Christmas stamps.

Additional handstamps available with the 2013 Christmas stamps.

This year, alongside the religious stamps, two stamp designs have been created by school children. 239,374 school children aged between four and eleven responded to the question “what does Christmas mean to you?” and their entries can be viewed in an online gallery at www.royalmailstampcompetition.com. One entry, by Charlie Miller; age five, depicts a pillar box in the snow, which is one of my personal favourites.

The two national winners, whose designs are printed on 1st and 2nd class stamps, were selected by a panel including The Prince of Wales and Tasveer Shemza. Shemza, when she was six years old, designed a winning stamp portraying King Wenceslas for the first Christmas stamp issue.

1966 3d Christmas stamp designed by Tasveer Shemza

1966 3d Christmas stamp designed by Tasveer Shemza.

The winning designs also needed the approval of The Queen, as with all stamp issues.

Christmas stamp 2013

‘Santa’, designed by Molly Robson aged 7 from West Sussex is to be featured on the first class Christmas stamps from 5th November 2013.

Christmas stamp 2013

‘Singing Angels’, by Rosie Hargreaves aged 10 from Devon, is to feature on the second class Christmas stamp from 5th November 2013.

Read more about the first British Christmas stamps here http://www.postalheritage.org.uk/page/christmas-stamps

Read more about the Christmas 2013 stamp competition here
http://postalheritage.wordpress.com/2013/10/31/2013-christmas-stamp-design-competition-winners-announced/

2013 marks only the third occasion that a British Christmas stamp has been selected from competition entrants. This stamp, designed by Samantha Brown; age five, was a winner in the second national competition, held in 1981, and depicts Santa Clause with a rather charming smile.

1981 11½p Christmas Stamp designed by Samantha Brown

1981 11½p Christmas Stamp designed by Samantha Brown.

Christmas stamps have featured the work of renowned artists including Axel Scheffler in 2012, Quentin Blake in 1993 and, memorably in 2010, the team behind Wallace and Gromit.

2012 Christmas stamps designed by Axel Scheffler

2012 Christmas stamps designed by Axel Scheffler.

Christmas stamps from 1993 designed by Quentin Blake

Christmas stamps from 1993 designed by Quentin Blake.

2010 Christmas Stamps featuring Wallace and Grommit

2010 Christmas Stamps featuring Wallace and Gromit.

While rehousing sheets of stamps from the 1960s, I came across the wonderful Christmas 1969 4d stamp, which features an angel in a floor length, colourfully patterned dress with contrasting patterned wings and headband. The style is highly evocative of late 1960s counter culture fashion, which drew influences from Eastern cultures. These fashions were championed by the hippie movement who, widely involved in anti-war protests, utilised the style to demonstrate a rejection of the establishment. The Christmas 1969 stamp is a window into this era and its aesthetics.

Christmas 1969 4d stamp - a window onto 1960s sensibilities.

Christmas 1969 4d stamp – a window on to 1960s sensibilities.

Christmas stamps symbolise the important role of communication in the festive period and map the national run up to Christmas. The build-up of excitement begins alongside the sale of the first Christmas stamps as people ponder Christmas card lists, invitations to parties are sent and letters to Santa composed. The post-before deadline marks the crescendo of preparations, as parcels are rushed to the Post Office and internet shopping cut off dates are frantically met. The distinctive, red pillar box, often capped in snow, is a common feature on all kinds of Christmas illustration including cards, stamps and wrapping paper; demonstrating the intrinsic connection between Christmas and the post in cultural memory.

Original artwork for the 12.5p 1983 Christmas stamp.

Original artwork for the 12.5p Christmas 1983 stamp.

The British Postal Museum and Archive is holding an exhibition at The Treasure House in Beverley from 7 December 2013 until the second week in February 2014 entitled Christmas through the Post; exploring the rise and importance of the post at Christmas time. An accompanying online exhibition, hosted by the Google Cultural Institute, is planned for the future. Keep checking our website for more details and for the final closing date of the exhibition.

- Joanna Espin, Philatelic Assistant

Following the issue of the new Christmas Robin stamp on 5th November 2013, the BPMA have produced official limited edition first day covers featuring the new stamp designs issued by the machine. These first day covers feature the new stamp design with the unique overprint for the BPMA machine (reads “The B.P.M.A.”) and have been produced on official BPMA covers and cancelled with the official British Postal Museum & Archive cancellation stamp dated for the first day of issue.

Visit www.postalheritage.org.uk/robin2013 to purchase a first day cover. Limited edition of 50 available.

2013 Christmas stamp design competition : Winners announced

The winners of the 2013 Christmas stamp design competition have been announced today.

Christmas stamp 2013

‘Santa’, designed by Molly Robson aged 7 from West Sussex is to be featured on the first class Christmas stamps from 5th November 2013.

‘Santa’, designed by Molly Robson aged 7, from West Sussex, will be the 1st Class Christmas Stamp, and ‘Singing Angels’, by Rosie Hargreaves aged 10, from Devon, is to feature on the 2nd Class Christmas stamp. The winners will attend a prize-giving at Clarence House with His Royal Highness The Prince of Wales and Royal Mail Chief Executive Officer, Moya Greene. The winning designs were chosen from over 240,000 entries received from children aged between four and eleven across the UK in response to the question ‘What does the Christmas season mean to you?’

This is only the third time in Royal Mail’s near 500-year history that children have designed the Christmas Stamps. The Prince of Wales led the judging panel that chose the winning designs. A new website has been launched for children, parents and teachers to view the entries submitted to the competition: www.royalmailstampcompetition.com.

Christmas stamp 2013

‘Singing Angels’, by Rosie Hargreaves aged 10 from Devon, is to feature on the second class Christmas stamp from 5th November 2013.

You can also find out more about the first ever Christmas stamps (which were also designed by children) at our website.

Post & Go Freshwater Life – Rivers

Royal Mail’s Freshwater Life series of Post & Go Stamps for 2013 culminates with a set of six stamps featuring wildlife found in the habitat of UK rivers.

The stamps, available from today from Post & Go terminals in 146 Post Office branches and at Stampex, feature creatures including the Atlantic Salmon, the River Lamprey, the White-clawed Crayfish, the Blue-winged Olive Mayfly Larva and the Minnow. The salmon and crayfish in particular have suffered a decline in numbers.

Post & Go Freshwater Life – Rivers: Atlantic Salmon.

Post & Go Freshwater Life – Rivers: Atlantic Salmon.

Post & Go Freshwater Life – Rivers: River Lamprey.

Post & Go Freshwater Life – Rivers: River Lamprey.

Post & Go Freshwater Life – Rivers: White-clawed Crayfish.

Post & Go Freshwater Life – Rivers: White-clawed Crayfish.

Post & Go Freshwater Life – Rivers: Brown Trout.

Post & Go Freshwater Life – Rivers: Brown Trout.

Post & Go Freshwater Life – Rivers: Blue-winged Olive Mayfly Larva.

Post & Go Freshwater Life – Rivers: Blue-winged Olive Mayfly Larva.

Post & Go Freshwater Life – Rivers: Minnow.

Post & Go Freshwater Life – Rivers: Minnow.

Rivers follows Ponds and Lakes as the third and final Post & Go set to be issued in 2013 – all on the subject of the UK’s freshwater life. Once again, Royal Mail commissioned Kate Stephens to produce the designs for the new Post & Go stamps. These were illustrated by lino-cut artist Chris Wormell. The national charity Pond Conservation has advised on all the stamp sets. The charity works in all freshwater environments and runs the successful annual Big Pond Dip, where the public is invited to monitor local ponds for life.

The stamps are available from Stampex, Post & Go terminals in 146 Post Office branches, at www.royalmail.com/postandgo and by phone on 08457 641 641.

New Merchant Navy and Bertram Mackennal stamps

As always during Stampex Royal Mail are issuing several sets of new stamps. Today sees the launch of a commemorative issue on the Merchant Navy and commemorative sheets marking the 150thanniversary of the birth of Bertram Mackennal.

Merchant Navy

The Merchant Navy stamps salute the heritage of the UK’s trading fleet of ships, run by various companies. These export and import goods from around the world as well as carrying passengers, and historically have been intertwined with the fortunes of the nation.

Merchant Navy stamp - 1st Class – Atlas, 1813.

Merchant Navy stamp – 1st Class – Atlas, 1813.

Merchant Navy stamp - 1st Class – Britannia, 1840.

Merchant Navy stamp – 1st Class – Britannia, 1840.

Merchant Navy stamp -1st Class - Cutty Sark, 1870.

Merchant Navy stamp -1st Class – Cutty Sark, 1870.

Merchant Navy stamp - £1.28 - Clan Matheson, 1919.

Merchant Navy stamp – £1.28 – Clan Matheson, 1919.

Merchant Navy stamp - £1.28 - Queen Elizabeth, 1940.

Merchant Navy stamp – £1.28 – Queen Elizabeth, 1940.

Merchant Navy stamp - £1.28 - Lord Hinton, 1986.

Merchant Navy stamp – £1.28 – Lord Hinton, 1986.

The accompanying miniature sheet honours the contribution of the Merchant Navy in times of war, when its ships assisted in the war effort. 2013 will mark the 70th anniversary of the turning point of what is called the Battle of the Atlantic, after which losses reduced considerably.

Merchant Navy: Miniature Sheet - The Atlantic and Arctic Convoys.

Merchant Navy: Miniature Sheet – The Atlantic and Arctic Convoys.

Bertram Mackennal

Bertram Mackennal was born on 12th June 1863 in Melbourne, Australia, to parents of Scottish descent. After initial training in design and sculpture at the National Gallery in Melbourne, Mackennal travelled to Europe. Having completed further studies in London and Paris he began to receive commissions in Australia and the United Kingdom, and eventually came to the attention of King George V.

In 1910 Mackennal began work on the effigy of King George V for new British and imperial coins and medals, and from this he developed the designs for the King’s head on British postage stamps and also worked on Indian and colonial stamps. Through this work, he began a lifelong friendship with the king helping to establish his philatelic legacy. In 1921, Mackennal was knighted by King George V.

The Mackennal stamps available from today feature ten definitive sized 1st Class Royal Seal stamps alongside images showing key works from Mackennal. These include the halfpenny green and one penny red stamps from 1912-1913, the George V five shilling Seahorses stamp from 1913 and a commemorative Olympic Games medal from 1908.

Bertram Mackennal commemorative sheet.

Bertram Mackennal commemorative sheet.

Royal Mail has also produced a facsimile pack of the Seahorses stamps. The ‘Seahorses’ were high value definitive postage stamps issued during the reign of King George V and designed by Mackennal. These stamps were notable for the quality of the engraving and the design, featuring Britannia on her chariot behind three writhing horses on a stormy sea.

Bertram Mackennal facsimile pack.

Bertram Mackennal facsimile pack.

The Merchant Navy stamps are available online via www.royalmail.com/merchantnavy. The Bertram Mackennel stamps are available online via www.royalmail.com/mackennal.

Both issues are also available from the Royal Mail stand at Stampex, in Post Office branches or by phone on 08457 641 641.

Celebrations of Literature

Novels are regularly depicted on commemorative stamps as part of Royal Mail’s aim to reflect British contribution to the arts. Appealing to the dual market of philatelists and bibliophiles, these issues are extremely popular. From a design perspective, the issues have enjoyed varied levels of success. This blog examines two magnificent celebrations of British literature, Sherlock Holmes 1993 and Peter Pan 2002, and evaluates two issues which were arguably less successful, Jane Austen 2013 and Harry Potter 2007. Commemorative stamps depicting novels must conform to the functional requirements of all British postage: to clearly show the monarch’s head and the value of the stamp. Artists are tasked with transmitting the spirit of a novel onto a canvas sometimes as small as 20mm by 24mm.

The Peter Pan issue, illustrated by Colin Shearing, was released on 20 August 2002 to mark the 150th Anniversary of Great Ormond Street Children’s Hospital. The issue commemorates the institution’s relationship with the author which was cemented when Barrie bequeathed the story’s rights to the hospital in 1929. The power of imagination fills in the gaps intentionally left in three of the designs.

Captain Hook stamp, issued 20 August 2002.

Captain Hook stamp, issued 20 August 2002.

On the 47p stamp, Captain Hook’s large figure and feathered hat is shown in silhouette with his infamous hook protruding from the image. The artist has reduced the size of the already small stamp to a slither through which one eye and a menacing smile glower at the viewer.

Peter Pan stamp, issued 20 August 2002.

Peter Pan stamp, issued 20 August 2002.

The practice of only showing part of a character is taken a step further in the depiction of Peter Pan. Peter’s pixie boots and legs clad in green tights are shown at the moment of taking flight against a vivid red background. There is no face in the design yet there is no question that this is Peter.

Wendy, John and Michael Darling in front of Big Ben. Stamp issued 20 August 2002.

Wendy, John and Michael Darling in front of Big Ben. Stamp issued 20 August 2002.

The first class stamp, my personal favourite, depicts the silhouettes of Wendy, George and Michael with the characters only identifiable by a nightgown, a top hat and umbrella, and a teddy bear respectively. The images are effective representations of Peter Pan because they do not attempt to portray the characters in complete detail. The images hint at the characters’ exploits and leave the viewers’ imagination to complete the picture. When Captain Hook bursts through the sail, one knows exactly how his figure will loom before us. As Peter Pan takes flight, one can hear his woops and yells. As the three children make their way to Neverland, we know what wondrous adventures await them. The stamps are a testament to the novel and emphasise the magic and excitement of the story. The illustrations cleverly manipulate the confines of the small scale and turn this limitation into a design advantage by demanding the participation of the viewers’ imagination.

In contrast to the strength of the Peter Pan issue is the Harry Potter issue, with seven stamps reproducing the seven novel jackets, which was released in 2007 to mark the completion of J. K. Rowling’s saga. One might argue that the decision to use the book jackets is a tribute to the positive influence of the novels on children’s literacy as opposed to a quick design fix however a successful book jacket does not automatically translate into a successful stamp. Due to the scaling down of the image size, much of the font is extremely small and the illustrations are no longer striking. Whilst the images are recognisbale due to the prevalence of the book jacket they, unlike the Peter Pan issue, do not speak to the imagination in a new or interesting way.

Harry Potter book cover stamps, issued 17 July 2007.

Harry Potter book cover stamps, issued 17 July 2007.

The Jane Austen issue, released in 2013 to mark the 200th anniversary of Pride and Prejudice, is arguably unsuccessful despite featuring newly commissioned artwork. The illustrations are certainly very pretty but they do not capture the urgency or emotion of the moments they portray. The 77p Mansfield Park stamp depicts a Fanny Price who does not appear to be reaching for the door handle in “desperation” while fighting panic and anxiety over what waits for her beyond the threshold. On the first class Sense and Sensibility stamp, Marianne certainly looks quite poorly but not “almost choked by grief”. The illustration does not parallel Austen’s distressing description of a young girl almost screaming in “agony”.

Jane Austen stamps, issued 21 February 2013.

Jane Austen stamps, issued 21 February 2013.

The issue depicts fabulous regency costumes and interiors which lovers of the period will admire however there is no juxtaposition of the human experience, which Austen describes unflinchingly with all of its embarrassments; humour; conceits and pain, against this background of polite society.

Released in 1993 to mark the centenary of The Final Problem, the Sherlock Holmes issue features a restrained colour palette, ominous images and expressive characters. Utilising forest green, grey and black across the illustrations ties the issue together nicely. The creature is suitably menacing in The Hound of the Baskervilles, characters look chillingly out into the darkness in The Greek Interpreter and the falling hat and crumbling rock in The Final Problem emphasise the characters’ peril. The inclusion of the deerstalker in the 24p stamp may understandably rile Sherlock Holmes puritans! For the aspiring sleuth, the issue contains a mystery: hidden within the issue is a five letter anagram which I invite you to puzzle over. The Sherlock Holmes illustrations communicate the novel’s themes and demonstrate how stamps can engage and intrigue. The ordinary postage stamp which drops through our letter box, lands on our desk and is handled by countless people every day is in a unique position to act as an instrument of inspiration and a celebration of literature.

Sherlock Holmes. Centenary of the Publication off "The Final Problem" stamps, issued 12 October 1993.

Sherlock Holmes. Centenary of the Publication off “The Final Problem” stamps, issued 12 October 1993.

- Joanna Espin, Philatelic Assistant

Which issue do you think celebrates literature most successfully?

Do you have a favourite literature issue which was not discussed here?

Is there a novel which you think should be immortalised on a postage stamp?

Pre-decimal QEII stamp artwork added to our online catalogue

Recently we made a substantial update to our online catalogue. Some 2,450 QEII pre-decimal stamp artwork items, complete with images, have been added to the database, along with 248 pre-decimal GB commemorative stamp registration sheets. Our online offer now provides full catalogue descriptions and digitised images for all registration sheets from the Penny Black to these most recent additions.

QEII Coronation: Submitted design by Edmund Dulac, 21 August 1952. (QEII/1/020)

QEII Coronation: Submitted design by Edmund Dulac, 21 August 1952. (QEII/1/020)

This phase of the BPMA’s stamp artwork cataloguing and scanning project is the fruition of twelve months work, and follows previous uploads of King George V and King George VI artwork. It allows access to first designs, modified designs, essays, final issued stamps, presentation packs and first day cover designs, showing the design and production process for all QEII stamp issues from beginning to end. Each catalogued artwork item is accompanied by a digital thumbnail image enabling online users to see the artwork itself.

QEII 1966 World Cup: Submitted design by William Kempster, 21 February 1966. (QEII/47/001)

QEII 1966 World Cup: Submitted design by William Kempster, 21 February 1966. (QEII/47/001)

Designs by eminent stamp designers and artists, including Jeffery Matthews, Michael Goaman, Reynolds Stone, Faith Jaques and Andrew Restall are well documented throughout the stamp issues for 1953 to 1970. Among the most prolific are the designs by David Gentleman including the 1965 Churchill Commemoration, 1966 anniversary of the Battle of Hastings, and the 1969 Prince of Wales Investiture.

QEII 1966 Anniversary of Battle of Hastings: Submitted design by David Gentleman, May 1966. (QEII/53/013)

QEII 1966 Anniversary of Battle of Hastings: Submitted design by David Gentleman, May 1966. (QEII/53/013)

The registration sheets which depict the first examples of stamps in full sheet form to be printed off the press, are without perforations and include unique identifiable inscriptions and markings; including cylinder numbers, paper type(s) and information regarding the phosphors used in the production of each stamp. This information, plus more, is included in the comprehensive catalogue entry of each registration sheet, along with a scanned corner section of each sheet.

QEII 1969 Concorde: Submitted design by David Gentleman (Harrison and Sons Ltd), 9 October 1967. (QEII/65/006)

QEII 1969 Concorde: Submitted design by David Gentleman (Harrison and Sons Ltd), 9 October 1967. (QEII/65/006)

The next upload will include pre-decimal Machins, Castle High Values and pre-decimal postage due label registration sheets, meaning that all pre-decimal QEII essays and registration sheets will then be online.

Access the newly available QEII material via the British Stamps section of the BPMA website.