Tag Archives: The British Postal Museum & Archive

Newly-catalogued oddities in WW1 postal censorship

During the First World War, the GPO handled mail sent to and from prisoners of war. These included captured soldiers and civilians who had been in the wrong place at the outbreak of hostilities. Before mail reached its recipient, it would be examined by censors on both sides of the conflict.

I’ve just catalogued a set of nearly 40 GPO files from the First World War all about the censorship of mail for POWs. Many of the files deal with really specific problems. Here are two of my favourites:

BREAD DESTRUCTION OUTRAGE:

GPO transcript of a complaint from the Bedford Bread Fund (POST 56/243).

GPO transcript of a complaint from the Bedford Bread Fund (POST 56/243).

POST 56/243 (1916) concerns a series of complaints from the fabulously-named Bedford Bread Fund, a charity that sent parcels of bread to British POWs in German camps. The loaves were being sawn in half by the British censors to inspect them for concealed messages, leaving them entirely inedible by the time they arrived. The file also documents the censors’ trials of loaf-prodding by bone knitting needle. While less invasive, the needles alas broke off inside the loaves.

PENMANSHIP CRITIQUE EFFRONTERY:

The GPO's reply to a complaint about comments on censored mail (POST 56/212).

The GPO’s reply to a complaint about comments on censored mail (POST 56/212).

POST 56/212 (1915) contains complaints forwarded by a countess from her POW husband. A concern was that mail was arriving at the camp with pencilled comments from censors, asking the prisoners to persuade their families to write shorter letters, and to write more neatly. Censors, he said, had no right to express this kind of stylistic criticism. As you can see from the GPO reply (above), the comments were apparently left by the German censors who, after all, had a job to do too.

I love these two files. They seem absurd, and yet they’re perfectly logical and justified under the circumstances. Other favourite cases include an intercepted parcel of construction textbooks sent to a French POW, and a query about whether letters to Russian POWs could be written in the Russian alphabet.

Sorting mail for the troops at the Home Depot, Christmas 1916 (POST 56/6).

Sorting mail for the troops at the Home Depot, Christmas 1916 (POST 56/6).

The censorship records are part of a collection of around 500 files that I’m cataloguing. The files document the Army Postal Service from the 1900s to the 1970s, including both World Wars, and are genuinely global in scope. Much of the material originated from the Royal Engineers Postal Section, a forerunner of today’s Royal Logistic Corps that drew many of its men from GPO staff. All these files will appear on the Archive catalogue in the next few months.

- Matt Tantony, Project Archivist (Cataloguing)

Time to have good clear out!

Last week all staff at the BPMA had a good clear out, otherwise known as a ‘housekeeping day’.

This was an opportunity for all staff to focus their time and attention on sorting storage spaces within both our offices. This will greatly assist both our day to day operations and our plans for the New Centre.

Activities undertaken during the day included:

Reviewing the office reference library of professional literature, removing dated and duplicate publications

Our library - looking much more organised

Our library – looking much more organised

Tidying office notice boards and transferring publications to the office reference library

The tidied noticeboard (you should have seen it before!)

The tidied noticeboard (you should have seen it before!)

Checking and labelling shop stock

Immaculate shelving of shop DVDs

Immaculate shelving of shop DVDs

Tidying exhibition materials

Exhibitions area - parted like the red sea

Exhibitions area – parted like the red sea

Sorting learning packs and material for schools sessions

Crafts on the left, schools learning packs on the right

Crafts on the left, schools learning packs on the right

A large quantity of recycling and general waste was produced.

Some of the results of our clear out.

Some of the results of our clear out.

What this means

  • Staff now have space to work safely and efficiently.
  • They can access the materials they need to carry out their job quickly and easily.
  • We will be able to provide a better service to shop customers, schools, and other users as we can find the relevant materials easily.
  • Better workspaces lead to more efficient working, allowing staff to focus more on developing the New Centre rather than hunting for files.
  • There will be less clutter to transfer to the New Centre thus making the move process simpler.
  • Likewise less clutter means less office storage required in the New Centre, freeing space for more public focussed activities.

Regular ‘housekeeping days’ form part of the move preparation work. More information of other move related activities to follow shortly.

- Helen Dafter, Archivist

It’s a Project Archivist Christmas

As 2013 comes to a close, I’ve repackaged and catalogued over 1,000 files from the Archive. In this blog post, I’ll share a few of the methods I used to get this historic material processed and available for researchers as quickly as possible.

Project Archivist Matt reflects

Project Archivist Matt reflects on a year’s work.

As I wrote in my introductory post, most if not all archive services have backlogs of material that hasn’t been catalogued due to lack of time or staff. My main role as Project Archivist is to reduce the BPMA’s backlog, one section of the Archive at a time. So far I’ve eliminated four backlogs:

  • Organisation, circulation and sorting of inland mails (POST 17).
  • Post Office counter operations and services (POST 22).
  • Establishment records (POST 59).
  • Public Relations Department, predecessors and successors (POST 108).

Each backlog was composed of hundreds of individual files, ranging from administrative papers to technical plans to visual material like posters and photographs. The files had come into the Archive from many different sources over the past few decades. My task was to repackage and catalogue the files, and find places for them in the BPMA’s existing catalogue structure. I also needed to remove redundant files to free up much-needed repository space. And I wanted to make my descriptions reasonably detailed, to help people search for files in our online catalogue.

The working method I devised, therefore, was based around fast, detailed processing on a file-by-file basis. I had the opportunity to evaluate and refine the method after each backlog was finished. I also familiarised myself with More Product Less Process (MPLP) theory after recommendations from professional colleagues. While I didn’t completely embrace the MPLP approach, I adopted some of its ideas to increase efficiency.

I’m not going to hurl technical details at you, but here are some of the techniques I used to process over 1,000 wildly differing files alongside the other work I do at the BPMA.

1. Get to know the territory: Before starting, I visually inspected the entire backlog to get a rough idea of its extent and anything requiring special conservation treatment. I also collated any existing box lists and accession records, did background research, and compiled a glossary of terms used in file names.

2. Establish basic standards: I adopted a minimum standard of description and repackaging, which could be enhanced if a file warranted it. Any file containing a contents list or executive summary had it copied pretty much verbatim into the catalogue description, while files in stable ring binders were generally not repackaged.

3. Multi-task: I combined appraisal (i.e. deciding if we needed to keep the file), repackaging, physical arrangement and catalogue description into a single integrated process, performed on one file at a time. Intellectual arrangement of files into a catalogue structure was only done after all files had been processed.

4. Use simple, sensible numbering: The BPMA uses two numbering systems. Each file/item has a Finding Number, which is unique, fixed, and used by researchers and staff to retrieve archives for consultation. Files/items also have Reference Numbers, which structure the multi-level archival descriptions I described in this blog post. Reference Numbers aren’t seen by researchers and can be swapped around as often as needed. This is a really great way to do almost all the processing of files without having to worry about exactly where they’ll go in the catalogue.

Cataloguing database screen capture

A screen capture of Matt’s cataloguing database, showing some of the completed fields and the BPMA’s dual numbering system.

5. Wherever possible, get a computer to help: I designed a relational database in Access for all my project work. The database would automatically complete some catalogue fields, saving lots of time. It logged which files had been catalogued and which had been marked for disposal. I used it during processing to group files into rough subject categories, which were refined into catalogue sub-series at the end. Best of all, I could take all the descriptions I’d written in the database and import them into our catalogue software in one batch.

These are some of the techniques I’ve used in my work. Perhaps you might find them helpful if you’re working on a similar task. Of course, there are many other ways of working, and I’d be very interested to read your suggestions for how I could do things differently!

WW2 postal records

Christmas is all about opening boxes, but archivists get to do it every day! Here, Matt opens the first of several boxes of uncatalogued WW2 postal records.

My new project is to catalogue a large collection of British Army postal service records, dating from World War 2 to the 1980s. I’ll keep you posted.

Happy Christmas, and see you in the New Year!

- Matt Tantony, Project Archivist (Cataloguing)

Asking the Archive staff…

Matt ponders the results of the informal Archive staff survey.

Matt ponders the results of the informal Archive staff survey.

What types of places have archives? As part of #mattsfriday, I decided to run an informal survey of some of my colleagues in the Archive, Search Room and Conservation teams.

I got together with participating colleagues to compile a little list of all the different places where we’d worked with archives before we joined the BPMA. The survey covered both paid employment and work experience/volunteering. The end result was a list of 48 different institutions or organisations with archives! This, of course, doesn’t take into account our previous employment in non-archival jobs. The chart below divides the results up by category:

Institutions where participating BPMA staff have previously worked with archives. The key denotes the pie chart segments in clockwise order.

Institutions where participating BPMA staff have previously worked with archives. The key denotes the pie chart segments in clockwise order.

As you can see, there’s a huge diversity of previous experience being brought to the BPMA’s work! Staff members have worked for local authority archive services in England, Scotland and Wales. Some of us have worked for museums, galleries, and other cultural sites. There were also many universities and other higher education institutions with archives in the list: some of these were research collections managed by universities, others were the historic records of the institutions themselves. Some of us have worked for businesses, including the archives of at least two high street retail giants. Among our number we also have staff who have worked for national and specialist institutions including a film archive, the British Library, and The National Archives at Kew. Finally, the ‘Other’ category included Royal archives, a church organisation, and the private collections of a Duke.

This brief, informal survey also showed just how many different kinds of places keep archives – and employ archivists and conservators to look after them. This includes institutions in the public and private sectors, and large and small organisations. A career in archives really can take you almost anywhere. Of course, there are other careers in the heritage sector, just as the BPMA has other areas – curatorial, philatelic, etc. – in its collections. As we plan to move to our New Centre, it’s also helpful to think about how we’ve got to where we are.

- Matt Tantony, Project Archivist (Cataloguing)

Coming this Friday: #mattsfriday Twitter Takeover!

Matt presents the hashtag for the #mattsfriday Twitter Takeover.

Matt presents the hashtag for the #mattsfriday Twitter Takeover.

This Friday, 15 November, I’m taking over the British Postal Museum & Archive’s Twitter feed! If you’ve enjoyed any of my previous blog posts, now you’ve got a whole Friday to interact with an Archivist.

I shall be posting live tweets throughout the day, from approximately 07:45 to 17:00 GMT. Hopefully, it’ll give you a glimpse of all the different bits and pieces that form a typical Friday for a BPMA archivist. Although, as many archivists will tell you, one of the joys of the profession is that there’s no such thing as a “typical” day! I’ll also be posting photographs of what I’m getting up to behind the scenes. My fabulous flipchart may be getting involved too.

Follow our Twitter feed (@postalheritage) to catch my updates on Friday. I’ll be using the hashtag #mattsfriday for all my content.

But really, we’d love for you to join in on the day! Questions and comments are very welcome. Just tweet @postalheritage using the hashtag #mattsfriday and I’ll try to answer. Of course, the Archive is only one part of the BPMA’s work. I can’t advise on museum objects or philatelic issues, but if you’ve got questions about archives, or what archivists do, or perhaps even how to get into archives as a profession, please do send me a tweet!

This is a relatively new experiment by the BPMA in engaging with our online visitors around the world. Depending on how it goes, #mattsfriday might become a regular feature.

See you on Friday!
-Matt Tantony, Project Archivist (Cataloguing)

New display panel to be installed at our Search Room this week

We have recently been working with a designer to produce a new display panel, which is due to be installed this week in the Archive’s entrance lobby. This will show visitors our vision for the new museum we are planning both at Calthorpe House – down the street from the Archive’s current location at the corner of Mount Pleasant – and in part of the old Post Office Underground Railway network, Mail Rail.

Artist's impression of how the Mail Rail exhibition might look.

Artist’s impression of how the Mail Rail exhibition might look.

As you may be aware, our museum collection is currently held in storage in Debden, Essex. Due to lack of display space public access to this collection, a wonderful array of historical post office vehicles, letter boxes, uniforms and equipment, is severely limited, and the new museum will allow us to showcase these fantastic treasures in the manner that they deserve. There will be an interactive exhibition space with five zones charting the development of the Post Office and Royal Mail over the centuries, as well as a dedicated learning space which will be able to hold 10,000 school pupils and teachers every year.

Proposed exterior of the new postal museum at Calthorpe House.

Visualisation of a proposal for the exterior of the new postal museum at Calthorpe House.

The new museum will also contain a state-of-the-art search room and archive repository with brand new research facilities, and we will also be opening a section of Mount Pleasant’s subterranean Mail Rail depot as a permanent exhibition space charting the history of moving the mail.

Next time you visit us, please take a moment to view the display and see what we have in store for the future, and do feel free to let us know what you think of our plans.

- Robin Sampson, Archives/Records Assistant

Historic Duplicate Stamp Sale to Benefit New Home for The British Postal Museum & Archive

  • Sotheby’s will stage an historic auction featuring duplicate stamps from the British Postal Museum & Archive (BPMA)
  • Important sale, estimated by Sotheby’s to bring in excess of £5 million, will support a spectacular new home for the British Postal Museum & Archive, set to open in early 2016
  • State-of-the-art centre will represent an exciting addition to London’s cultural landscape, showcasing the BPMA’s world-class collections and celebrating a unique aspect of British heritage
  • New museum will serve as a key cultural hub as part of a major regeneration scheme in Camden & Islington

On 11th July 2013 Sotheby’s will stage an historic auction featuring surplus duplicate stamps from the British Postal Museum & Archive. The auction will provide essential funds for a state-of-the-art new home for the BPMA, representing an exciting addition to London’s cultural landscape when it opens in 2016.

Visualisation of BPMA's New Centre at Calthorpe House.

Visualisation of BPMA’s New Centre at Calthorpe House.

New Home for Britain’s Postal History

Described by Mayor of London Boris Johnson as “a national treasure of global importance”, the BPMA is the leading resource for all aspects of British postal heritage. It cares for the visual and written records of 400 years of British postal, social and design history, comprising over 60,000 artefacts and 2.5 miles of archives. Together, the collections and archive tell a fascinating human story of British communication, industry and innovation, illuminating and celebrating a unique and integral part of the nation’s heritage.

Under a scheme endorsed by the Government and backed by Britain’s leading heritage organisations, the BPMA is planning a new Postal Museum and Archive to provide a first class home for its archive and collections, which are currently held in storage and largely inaccessible to the general public. The new centre will be situated in Calthorpe House, in the London Borough of Camden, adjoining the country’s oldest mail centre at Mount Pleasant.

World-class Archive and Collections

As well as featuring a purpose-built archive repository, the new Postal Museum and Archive will feature spectacular exhibition spaces to showcase the BPMA’s archive and collections, which range from postal vehicles to pillar boxes, staff records, posters, photographs, uniforms, weapons and the world’s greatest collection of British stamps.

Poster: 79,242 Postmen, Duncan Grant, 1939.

Poster: 79,242 Postmen, Duncan Grant, 1939.

Highlights include every British stamp issued from 1840 to the present day; original evidence from the Great Train Robbery trial; the world’s first commercial Christmas card produced in 1843; a 1930s art-deco Mobile Post Office; Valentine’s Day cards dating from c. 1790; telegrams relating to the Titanic disaster; weapons used to protect the mail against theft or piracy; a digital Oral History collection recounting the personal stories of hundreds of current and retired postal staff from around Britain; a first edition of ‘Ulysses’ by James Joyce, intercepted in the post for being obscene; uniforms of Victorian River Postmen; a Travelling Post Office railway coach; films produced by the iconic GPO film unit; telegrams sent by the royal family; medals awarded to Post Office Employees including a rare Victoria Cross; and posters, prints and paintings by celebrated artists including Edward Bawden, Duncan Grant and Vanessa Bell.

Understanding and celebrating Britain’s postal heritage and wider social history

The new Postal Museum and Archive will feature a state-of-the-art education centre and extensive research facilities, designed to encourage school children, students and the wider public to learn from and be inspired by postal heritage in all its depth and context. The new education space will increase the BPMA’s annual educational engagement from 2,000 to 12,000 pupils, representing a 600% increase on its current offering.

Key examples of how the BPMA’s collections reflect Britain’s social history:

  • In 1840 the launch of the Penny Black, the world’s first prepaid stamp, encouraged people to write and became a vehicle for education, friendship and commerce
  • The opening of Post Office Savings Bank backed by the Government in 1861 encouraged people of all walks of life to save money safely and to help combat debt
  • W. Reginald Bray became the first ‘human letter’ when he posted himself, later emulated by two suffragettes who attempted to have themselves delivered to Downing Street
  • During WW1 the Post Office co-ordinated all army mail and by 1918 had 22,000 pigeons carrying messages to the front
  • In 1943 the world’s first programmable electronic computer was built by the GPO’s Tommy Flowers, helping to break many German encrypted codes during WW2

Mail Rail: London’s Best Kept Secret

As an added visitor attraction, the BPMA is exploring plans to convert a section of Mail Rail, the former underground Post Office railway network. Introduced in 1927 and operational until 2003, Mail Rail was the world’s first driverless electrified railway, which revolutionised the delivery of mail in the UK. To this day it remains the world’s only dedicated underground mail transport system, representing an important and largely unseen element of Britain’s industrial heritage.

Poster design: Post Office Tube Railway, Edward Bawden, c. 1935.

Poster design: Post Office Tube Railway, Edward Bawden, c. 1935.

Subject to sufficient funding, the Mail Rail depot at Mount Pleasant will be transformed into an immersive visitor centre, introducing a fascinating 15 minute ride on the Mail Rail network on newly-designed trains through the existing tunnels.

Benefitting the local area and contributing to an improved sense of community

Bridging the boroughs of Camden and Islington, the new Postal Museum and Archive will serve as an important cultural hub and community resource. As well as offering cultural and training opportunities for young people, the BPMA will organise out-of-school cultural opportunities and strong community outreach programmes, contributing to a vibrant Camden and Islington.

Historic Stamp Sale

The project to develop the new Postal Museum and Archive will cost approximately £22 million and a fundraising campaign is currently underway, with considerable support from Royal Mail and Post Office Limited. Other funding is in place from the Heritage Lottery Fund and from the BPMA itself.

As part of the fundraising campaign, the BPMA is pursuing two sales of surplus duplicate philatelic material currently held in its custody though not part of its accessioned collections. The historic auctions will take place at Sotheby’s, which held the first ever stamp auction in Europe in 1872. The first sale, held on 11th July 2013, will comprise 191 lots and is estimated by Sotheby’s to bring in excess of £5 million.

One of the duplicate items for sale: Seahorse ‘Registration’ sheets, 1923, one of only two such sheets in existence.

One of the duplicate items for sale: Seahorse ‘Registration’ sheets, 1923, one of only two such sheets in existence.

Adrian Steel, Director of the BPMA, said:

Since we first announced our project to open a new first class home for Britain’s postal heritage in London last year we have received widespread support, and following last month’s announcement of this sale it has been great to receive encouragement from those who want to play their part in our fundraising campaign by participating in the auction. The BPMA’s collections are of the utmost richness in iconic British heritage and engaging personal stories, and from family historians to families who want to immerse themselves in something new as part of a day out in London, our new centre offers something sparkling with fascination and enjoyment for everyone. It will safeguard all our collections into the future, and by taking up the chance to own the rare philatelic specimens on offer at Sotheby’s, all potential buyers can feel proud that they are helping to safeguard the originals, and all our world class collections, from Penny Blacks to packet ship records, for the nation and the world to enjoy.

The Great Train Robbery – The untold story from the closed investigation files

2013 marks the fiftieth anniversary of the Great Train Robbery – one of the most notorious robberies of the 20th century, which has proved to have enduring public appeal, particularly via books, films and documentaries. On this blog, we have previously published articles on this criminal coup and the number of working files detailing its investigation that are held in our Archive. Author and historian Andrew Cook has now published a new book on this event and describes the fascination this infamous crime and its background have exerted over the decades.

The bulk of the money stolen during The Great Train Robbery has never been recovered. On 15 August 1963, four bags containing £100,900 were found in woods near Dorking.

The bulk of the money stolen during The Great Train Robbery has never been recovered. On 15 August 1963, four bags containing £100,900 were found in woods near Dorking. (Thames Valley Police)

The term ‘The Great Train Robbery’ was neither born as a result of the 1963 mail train hold up, nor indeed the 1855 train robbery later immortalised by Michael Crichton in his 1975 novel ‘The Great Train Robbery’ (which was later filmed by MGM in 1978 as ‘The First Great Train Robbery’ starring Sean Connery and Donald Sutherland).

While Crichton’s book was a work of fiction, it drew heavily upon real life events which took place on the night of 15 May 1855 when the London Bridge to Paris mail train was robbed of 200 lbs of gold bars. Crichton took somewhat of a historical liberty by retrospectively re-christening it the Great Train Robbery. At the time, and for over a century afterwards, it was commonly known as the ‘Great Gold Robbery.’

The term ‘The Great Train Robbery’ has in fact no basis at all in any real life event; it is instead the title of a 1903 American action Western movie written, produced and directed by Edwin S Porter.  Lasting only 12 minutes it is still regarded by film historians as a milestone in movie making. When, in 1963, the British press frantically searched for a suitable iconic headline, Edwin Porter’s 60 year old movie title fitted the bill perfectly.

Bridego Bridge, half a mile down the line from where the train was ambushed. It was here the robbers unloaded the HVP (High Value Packet) coach and passed the mailbags down the embankment by human chain. (Thames Valley Police)

Bridego Bridge, half a mile down the line from where the train was ambushed. It was here the robbers unloaded the HVP (High Value Packet) coach and passed the mailbags down the embankment by human chain. (Thames Valley Police)

Mail was first carried in Britain by train in November 1830, following an agreement between the General Post Office and the Liverpool & Manchester Railway. In 1838 Parliament passed the Railways (Conveyance of Mails) Act which required railway companies to carry mail as and when demanded by the Postmaster General. Trains carrying mail eventually became known as TPO’s (Travelling Post Offices).

133 years later, just after 3am on Thursday 8th August 1963 a gang of professional thieves made history when they held up the Glasgow to London Travelling Post Office train and seized a record breaking haul of £2.6 million (just over £50 million in today’s money).

Much has been written over the past five decades, in books, magazines and newspapers. A host of films and television documentaries have also ensured that not one year since 1963 has passed without coverage of the story and the characters involved.

Discovered five days after the robbery, Leatherslade farm was dubbed "Robbers' Roost" by BBC TV News reporters. The police referred to it as "one big clue". (Thames Valley Police)

Discovered five days after the robbery, Leatherslade farm was dubbed “Robbers’ Roost” by BBC TV News reporters. The police referred to it as “one big clue”. (Thames Valley Police)

However, despite the wealth and extent of coverage, a host of questions have remained unanswered about the Great Train Robbery: Who was behind it, was it an inside job and who got away with the crime of the century?  Fifty years of selective falsehood and fantasy, both deliberate and unintentional, has obscured the reality of the story behind the robbery. The fact that a good many files on the investigation and prosecution of those involved, and alleged to have been involved, were closed in many cases until 2045 has only served to muddy the waters still further.

To piece together an accurate picture of the crime and those surrounding it, I endeavoured to return to square one, so to speak, and some four years ago began to gather together as many primary sources as possible. These undoubtedly give a totally new ‘feel’ for the case and indeed the social attitudes of the time. The sheer volume of material also brought home just how easy it can be to overlook certain details and key links without the ability to cross reference other sources and investigations. Through Freedom of Information (FOI) legislation and other FOI routes I was able to access Director of Public Prosecuations (DPP) and Metropolitan Police records. With the assistance of the BPMA I was equally able to navigate the Post Office’s extensive records of the robbery and those suspected of involvement.

Andrew Cook's new book The Great Train Robbery - The untold story from the closed investigation files has now been published.

Andrew Cook’s new book The Great Train Robbery – The untold story from the closed investigation files has now been published.

The finished book is effectively a ‘real time’ account of the police and Post Office investigations and for the very first time allows the reader a unique fly-on-the-wall opportunity to discover for themselves the untold story from the close investigation files.

- Andrew Cook -

The book ‘The Great Train Robbery – The untold story from the closed investigation files‘  can now be purchased from the BPMA Shop for £18.99 (plus P&P).

Vote for us in the Shorty Awards

Shorty Awards

The Shorty Awards honour the best in social media; recognising the people and organisations producing real-time short content across Twitter, Facebook, Tumblr, YouTube, Foursquare and the rest of the social web.

Every year, millions of people visit the Shorty Awards site to support their favourite social media content creators by tweeting nominations. All those tweets culminate in a highly anticipated awards ceremony that celebrates the winners as chosen by categories.

BPMA has been nominated in the museum category, but needs as many votes as possible to win. If you have a Twitter account visit our Shorty Awards voting page at shortyawards.com/postalheritage to tweet your vote for us.

Museum Store audit: objects, boxes and pink tape

As many of our readers may already know, our large object Museum Store in Essex holds many fascinating items in the BPMA’s collection, including items such as pillar boxes, telephone kiosks and vehicles. Over the past 6 months or so I have been working out at our store carrying out an audit of the collections, focussing mostly on those stored on the mobile shelving.

The BPMA Museum Store in Debden

The BPMA Museum Store in Debden

The audit of the material held at the store is a necessary exercise and a vital part of good collections management. As part of the audit, I have been systematically cross-checking items on the shelves with the listings on the BPMA’s collections database, checking that the recorded details and locations are correct.

Sarah unwrapping a Post Bus ticket machine for auditing and carefully re-packing the ticket machine ready for re-boxing

Sarah unwrapping a Post Bus ticket machine for auditing and carefully re-packing the ticket machine ready for re-boxing

At the same time I have been assessing the storage and packing of each item, replacing any packing materials which are no longer suitable (often due to age, which can mean they are no longer effectively protecting the object from the external environment). This can be a time-consuming task but planning for the long-term, sympathetic storage of an object means that the collection  can be kept stable and in the best condition for future audiences and researchers  to access and enjoy in years to come.

As you might imagine, the auditing and repacking project is no small undertaking so a methodical approach is essential – which is handy, because I’m rather fond of a good process! In summary, each box is given a unique ‘Mus’ number (printed on green labels) and following completion of the repacking , the database records for each object in that box are updated to include this new box reference. This allows a list to be produced of all the items found in a particular box, a copy of which is included with the contents. To provide a good visual marker, each box (or indeed large item) is tied with pink cotton tape to indicate that it has been audited and repacked.  If anyone had told me at the start of the project that I would find the sight of rows of shelves filled with pink tape heartening, I wouldn’t have believed them – but it’s true!

A view from inside the mobile shelving, showing shelves containing audited objects with lots of lovely pink tape….

A view from inside the mobile shelving, showing shelves containing audited objects with lots of lovely pink tape….

It is not possible for me to talk about the store audit without a special mention for two wonderful BPMA volunteers, Don and Barry who both give their time to assist with the project and have been invaluable, not least because they are a bit taller – I am rather vertically challenged – and can therefore help me reach the higher shelves! With our combined efforts we have recently reached our latest milestone of over 100 audited shelves.

‘And here’s some I did earlier…’ Audited items neatly packed and tied (with even more pink tape) ready to return to the racking.

‘And here’s some I did earlier…’ Audited items neatly packed and tied (with even more pink tape) ready to return to the racking.

Another very enjoyable element of the project is that during the audit I have been able to gather information on items being considered for display at the new postal museum at Calthorpe House which has been great – and provides an excellent excuse to follow up on research for an intriguing item.

There is still a lot of work to do as part of the audit, but much has been achieved in six months and the increasing number of shelves, stacked with boxes tied with pink tape continues to bring a smile to my face on a rainy Monday!

If you are interested in getting involved with this or similar work please contact Sarah Jenkins on sarah.jenkins@postalheritage.org.uk or call 020 8502 2673.

Sarah Jenkins – Curatorial Assistant