Royal Mail’s Classic Album Covers stamp issue isn’t the first time that the Post Office has gone ‘rock ‘n’ roll’ – it also happened back in the 1930s when the Post Office began a wide-ranging artist-commissioning programme to drive its public information campaigns. This led to some of the most exciting work produced in what is now known as ‘mid-century modern’ poster design.
The BPMA is fortunate in holding a treasure trove of Twentieth-Century poster design, a small portion of which was the subject of our recent exhibition, Designs on Delivery: GPO Posters 1930-1960. The exhibition included many excellent examples of public information campaign posters produced by the Post Office and we were delighted with the positive response to it. The Guardian online included a slideshow version of highlights from the exhibition and the winter issue of Illustration Magazine featured an article on our poster collection.
Also smitten were the designers at ‘poptastic’ greetings card producer Umpen Editions who have developed ‘Post Modern’, a new range of cards based on eight posters from our collection. This includes several featured in the exhibition. The ever-popular, if heart-rending (please somebody put him back together!!!) ‘please pack parcels very carefully’ broken dog design by Tom Eckersley is included, making this design now available in greetings card, print-on-demand poster, fridge magnet, and fridge magnet with virtual gift formats. A cow design from the same campaign is featured, as is Pat Keely’s poster artwork for the GPO film, Night Mail. Lesser known, but equally visually appealing work by artists Harry Stevens and Robert Broomfield are in the range, along with a wartime poster image from artist Hans Schleger (aka Zero). We are delighted with the new cards – everyone in the office has their own personal favourite.
Poster campaigns, public information films, and documentary photography emerged from the Post Office during the 1930’s under the auspices of its first Public Relations Officer, Sir Stephen Tallents, who joined the department in 1933 towards the end of George V’s reign. Indeed it was the social change, coupled with developments in mass communications techniques and processes which had occurred earlier during the King’s reign which enabled production not only of some of philately’s now most loved stamp issues (‘British Empire Exhibition’, ‘Seahorses’ and ‘PUC Pound’ issues for example) but that also laid the basis for a subsequent ‘heyday’ of GPO poster design.
The events and innovations of this extraordinary period in philatelic design history will be the focus of the BPMA’s major exhibition for 2010: Empire Mail: George V and the GPO at London’s Guildhall Art Gallery. The exhibition, part of the London 2010 Festival of Stamps, will look at the passions of King George V, the ‘philatelist king’, alongside an extraordinary period of innovation in the General Post Office which took place during his reign.
The Post Modern card range will be available shortly from the BPMA’s webshop.