Category Archives: Exhibitions

Meet the Staff: Day in the life of an Exhibitions Officer

In this edition of Meet the Staff, Dominique talks about what it is a like to be an Exhibitions Officer at the BPMA.

Hi, my name’s Dominique and I’m the Exhibitions Officer here at the BPMA. My role is really varied and interesting. I get to work closely with the stories and objects that we hold in our fantastic collection, which I think makes me very lucky.

Very excited to find a Edward VIII pillar box!

I am also a post box enthusiast. Here I am with a very rare Edward VIII pillar box!

How do you cram 500 years of communications history into an exhibition? It’s certainly a challenge, but one I enjoy. Most of my time is spent developing new temporary and touring exhibitions. I also work on the design of the exhibition spaces for The Postal Museum with Mail Rail, due to open in late 2016.

Planning the layout of cases. Simple mock ups using a tape measure and paper really help!

Planning the layout of cases. Simple mock ups using a tape measure and paper really help!

My day completely depends on which exhibition I am working on, and whether we are developing it, or installing it. I love this variety, and being able to see a project right through to delivery.

An average day at the moment will start with me checking requests for our four touring exhibitions. Last Post- our First World War exhibition, has been particularly popular with a variety of host venues recently, due to the centenary of the First World War. I will also telephone Ironbridge Gorge Museums, to check on our larger version of the Last Post exhibition, which they are hosting until the end of March. One of the stories the exhibition tells is of Infantryman Reg Sims, who, in 12 months on the Front, received 167 letters, and himself wrote 242 letters. Telling these individual stories reinforces, for me, why the story that our exhibition is telling is so important.

At mid-morning I will move on to writing exhibition text for our new exhibition: ‘Pop it in the Post: Your world at the end of the street. This exhibition talks about the Victorian letter writing revolution, and how the introduction of the humble pillar box- initially in a variety of shapes, sizes and colours, transformed how people were able to post their letters and keep in touch. I write around 200 words, and include about 5 images per panel although I tend to write double the amount of words needed for each panel, and then have to edit it down. Writing the text follows several months work deciding on the exhibition themes, and key messages. Text writing is hugely collaborative – with input from colleagues from the Curatorial, Communications, and Learning teams. We all have to be happy with the messages, and make sure that the text is aimed at the right audience- in this case, families with 7 to 11 year olds.

A character from our new exhibition: a victorian letter carrier

A character from our new exhibition: a victorian letter carrier

Text writing will take me through to mid-afternoon. My final job of the day is to check on the object list for The Postal Museum exhibition space. The shortlist for display currently stands at around 300 objects, and I am responsible for finalising these choices, which are then sent to our offsite designers. Potential objects for display currently include pistols, a cross-written letter, an intact sheet of  Penny Blacks, and a gleaming 19th century mail coach. It is unbelievably exciting to help ensure that these objects will be displayed to the public – some for the first time – and to share with new audiences the richness and diversity of our collection!

 

Our Mail Coach which will be on display in The Postal Museum.

And by then it’s time to head home. As I leave work and walk along Upper Street in Angel, I can’t help but notice the pillar boxes and telephone kiosks that I pass- that remind me of the amazing street furniture that we have in our own collection!

 

Maximum Meaning, Minimum Means: Abram Games at the Jewish Museum London

During the Golden Age of GPO public relations under Stephen Tallents many prominent designers were employed to create posters for everything from ‘Post early’ Christmas campaigns to staff unions. One such designer was Abram Games who In March this year Royal Mail selected along with nine other distinguished subjects born in 1914, to feature on a stamp for its Remarkable Lives series.

1941

It’s fitting that in this centenary year, the Jewish Museum, London is celebrating the life and work of this iconic graphic designer in a major new exhibition; Designing the 20th Century: Life and Work of Abram Games (until 4 January 2015)

Games was the leading graphic designer of the postwar years and during his 60 year career was awarded numerous prestigious public commissions, including being appointed Official War Poster Artist during World War Two and designing the first animated BBC ident. He worked extensively with London Transport and his 1976 poster for London Zoo was recently chosen by Londoners as their second favourite poster for London Underground.

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Games’s war posters included the popular but controversial Join the ATS recruiting poster (1941), whose alluring female subject earned it the nickname ‘Blonde Bombshell’ and the condemnation of the House of Commons.

By the 1950s, Games was the foremost designer working in Britain and had carried out commissions for the General Post Office, the BBC and London Transport. In 1948, Games was commissioned by the General Post Office to design the official Olympic Games stamp and in 1951 he was awarded the commission to design the emblem for the Festival of Britain, one of the most significant designs of his career.

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Don’t miss your chance to see this major exhibition and discover more about the life and work of Abram Games as well as his celebrated theory which provided the framework for all of his compositions; ‘maximum meaning, minimum means’.

New objects at Last Post exhibition!

Our year-long exhibition, Last Post, is currently at Coalbrookdale Gallery, one of the museums at Ironbridge Gorge. Many of the paper items that have been shown over the last six months have been removed and replaced with other items that have never before been displayed.

The two original manuscript poems- ‘Dulce Et Decorum Est’, and ‘The Letter’, written by Wilfred Owen, that were on loan from the British Library have been taken off display and replaced by identical facsimile versions. The continued display of these ground breaking poems in facsimile form will enable the story of Shropshire-born Wilfred Owen to remain central to  the exhibition, until it closes on 30 March 2015.

For the first time ever, we will be displaying a Princess Mary tin, sent through the post as a Christmas gift to all serving soldiers during Christmas 1914. This was the initiative of the then 17 year old Princess Mary, daughter of King George V. A public appeal was launched to raise the money for the manufacture the tins and to buy the contents which included items such as tobacco or chocolate inside. Over 426,000 Princess Mary tins were posted to those serving on Christmas Day 1914.

Princess Mary tin

Princess Mary tin

We are also delighted to be displaying a First World War diary, recently acquired by the BPMA. The diary was written by a Post Office Rifle, Sergeant Thomas May, in 1915. Thomas May entered the Post Office as a Telegram Messenger Boy aged 14. His diary details his time in the Post Office Rifles  as he made his way to the Fighting Front in France. May was badly wounded during the War, but survived, and returned to work at the Post Office. A full transcription of the diary will be available in the exhibition for visitors to read.

Photograph of six people holding brooms and rifles. PORs changed into this when they were cleaning their uniform. Thomas May is third from left.

Photograph of six people holding brooms and rifles. PORs changed into this when they were cleaning their uniform. Thomas May is third from left.

Three embroidered cards rounded up the changes to the exhibition. Embroidered cards were made by French women on the front for soldiers to send back to loved ones as momentos. The often contained a little message hidden inside an embroidered flap.

Three of the embroidered cards on display.

Three of the embroidered cards on display.

You can find out more by visiting Last Post or viewing our online exhibition.

-Dominique Gardner, Exhibitions Officer

NEW EXHIBITION Innovation in the air: The 80th anniversary of inland airmail

20 August 2014 marks the 80th anniversary of UK inland airmail delivery. To mark this fascinating story we are hosting a new display in the BPMA Foyer and Search Room from 20 August to 20 October.

Alongside the display will be the chance to look through facsimile examples of newspaper reports from 1934; visitors can read first-hand accounts of the storm chaos that overshadowed the inaugural flight on 20 August. Evening newspaper headlines were quick to tell the public of the bumpy start to the service. Contemporary accounts from the time scream aloud ‘Britain’s Great Air-Mail Muddle’ and tell of the ‘Mail Planes In Gale Ordeal… Chairman of New Line ‘Bumped’ Through Roof’.

Airmail logo.

Airmail logo.

Alongside a discussion of the merits and limitations of the new airmail service, the display will also look at other unusual methods to deliver the post that were trialled around this time- namely the ultra-imaginative but ultimately unsuccessful rocket mail, which saw mail actually delivered in specially designed rockets.

Newspaper report and picture of Zucker’s rocket exploding on Scarp,  The Daily Telegraph, 1 August 1934.

Newspaper report and picture of Zucker’s rocket exploding on Scarp,
The Daily Telegraph, 1 August 1934.

Partly burnt items of mail, singed during the rocket explosions, can still be seen in our collection today.

‘How is the Post Office to make itself heard, to capture the interest and attention of the public, upon which there are already so many claims?’ – Sir Stephen Tallents, 1934

With the growing volume of letters sent by air came the idea of having special letter boxes for their collection. In 1930 the Post Office began painting pillar boxes to be used for airmail collections an ‘Air Force’ blue colour. The eye catching blue boxes promoted and advertised the new airmail service now available to the public. On display for the duration of the BPMA display will be a blue ‘Air Mail’ pillar box.

Our airmail pillar box.

Our airmail pillar box.

By 1934, the Post Office had become very conscious of design. A Public Relations department had been created under Sir Stephen Tallents. Theyre Lee- Elliott was commissioned to redesign labels, leaflets and posters especially for the new airmail service. Based upon stylised wings the new label was introduced on 25 July 1934. Just prior to that, on 17 May 1934, a new flag was authorised for aircraft carrying the Royal Mail.

Available alongside the display, from our Post & Go machine, will be a special commemorative Post & Go stamp, which will include a pictorial element for the first time. The underprint will incorporate the airmail logo designed by Theyre Lee-Elliott in 1934 for use on Inland Airmail posters, flyers and labels, with the text “Inland Airmail 1934”.

Check out our airmail shop range for first day covers, mugs, postcards and much more!

We will also be launching a Google Cultural Institute online exhibition on Wednesday exploring the stories of innovation in delivering the post. ‘Post Haste’ will look at the unusual and imaginative ways that have been used to transport the mail from cats to rockets and many more!

– Dominique Gardner, Exhibitions Officer

Students from the Worcester Polytechnic Institute Massachusetts visit the BPMA

We are a group of four students from Worcester Polytechnic Institute (WPI) in Worcester, Massachusetts, USA. At the beginning of the summer, from May 12th to June 28th, we had the privilege of working with the British Postal Museum and Archive to develop better visitor evaluation strategies. The goal of our project was to help improve visitor evaluation within their exhibitions which primarily focused on the Last Post Exhibition.

Mail Rail

WPI Students take a tour of Mail Rail

The overall experience was fantastic, filled with opportunities and memories. We were able to visit and explore some of the most popular museums in London including the Natural History, Victorian and Albert, and Science museums. At these museums, we observed visitors to identify what they enjoyed and see how the set up can affect visitor engagement.

Nysa

Nysa at Last Post Coalbrookdale

We also had the pleasure of working with BPMA visitors. Getting to know those who enjoyed the BPMA’s work, and asking them for helpful insight into what they learned and what they think would improve the sites. Working at events and visiting the Last Post exhibition at Mansfield and Coalbrookdale was a thrilling experience; we not only learned about the exhibitions but also were able to test many different evaluation methods such as interview, surveys, creative writing/drawing activities and observations.

Shuyang

Shuyang with the postal uniform display

We gathered some informative and gratifying feedback, for example one visitor said she “…learned so much more about a city [she had] lived in for 40 years.” Others said that they “did not realize the extent of Post Office involvement in the First World War.” The feedback we gathered was helpful and greatly aided our research objectives.

Enjoying London

WPI Students enjoying London

Aside from gaining new knowledge about museum goers, as a team we were able to improve our professional writing skills, communicate with a broad range of people, and work efficiently in a group setting. This experience also enabled us to grow as young professionals; we believe this project has added to a foundation of what the working world is like.  Living in London was an experience of a lifetime; adapting and working in a different culture will enable us to adapt to all presented opportunities and continue to broaden our understanding of the world.

Thank you,

Angela, Nysa, Shuyang and George

Delivery by Design: Stamps in Antarctica at The Polar Museum, Cambridge

With a population of just 250, The British Antarctic Territory, which covers 660,000 square miles of Antarctica from offshore islands to the South Pole itself, doesn’t necessarily seem like somewhere that the postal service would need to operate. But, despite the low number of permanent residents, the Territory issues both its own postage stamps and coins and even has an Antarctic Postman, based in Port Stanley on the Falkland Islands, who visits the outlying research bases by ship.

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With such a fascinating story to tell, it’s no surprise that there is now an exhibition devoted to the postage stamps of this remote territory. Last Thursday The Polar Museum in Cambridge launched the captivating Delivery by Design: Stamps in Antarctica exhibition. With the assistance of the Foreign and Commonwealth Office and the Scott Polar Research Institute the exhibition uses stamps, printing proofs and original artworks to shed light on this little known corner of the globe, from native wildlife including Emperor Penguins and Huskies to ships ploughing through ice and planes flying over the frozen sea, commemorating British expeditions to the Antarctic throughout history.

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The exhibition at The Polar Museum is a wonderful example of how stamps are much more than just a means of sending a letter from A to B. They are a window into history giving a snapshot of the social, cultural and design influences of any given period across every region of our planet. With every stamp from the Penny Black to the present day and all stamp artwork, both adopted and unadopted (including from such famous artists as Paul Nash, Terence Cuneo and David Gentleman) in our collections, we know that there are hundreds if not thousands of interesting stories just waiting to be told. It’s great to see exhibitions such as that at The Polar Museum bringing these stories into the public domain and I hope you will take the opportunity to pay it a visit.

Adrian Steel – Director

The exhibition will be running at The Polar Museum, Scott Polar Research Institute, University of Cambridge until 6 September 2014. Entry is free and the museum is open 10-4 Tuesday to Saturday. www.spri.cam.ac.uk/museum

Last Post: Remembering the First World War

The First World War was a major turning point in the history of the Post Office. To mark the year of the centenary, our First World War exhibition, Last Post, is now open at Coalbrookdale Museum of Iron, part of the Ironbridge Gorge Museums group.

The exhibition explores the contribution of millions of people to wartime communication and the far reaching role of thePost Office on both the battlefield and the home front.

Field Post Office

Field Post Office

An Oxo tin among other things

Demonstrating the huge variety of items that could be sent through the post in wartime, you can see on display an OXO tin posted home from the fighting front by William Cox, a former Post Office worker. He posted the OXO tin back to his brother and sister, containing a button from the tunic of a fallen soldier and a piece of shrapnel.

Cox's OXO Tin

OXO tin sent home by Cox

Battlefield will and a favourite plant

You can also view the story of Private Leonard Eldridge of the 8th London Regiment (The Post Office Rifles). Soldiers were encouraged to write battlefield wills whilst on the Front. Private Eldridge’s will is on display in the exhibition.

Eldridge writes: ‘everything I possess except the aspadastras plant of mine, I give to you. The plant, I, with my last wish, leave it, and must be given to, Miss Florence Smith… She must be treated in my absence as my lover with every respect.’

Post Office Rifles

8th London Regiment – The Post Office Rifles

Wilfred Owen

Also on display in the exhibition are two original poems written by local Shropshire-born First World War officer and poet Wilfred Owen, kindly lent to us for the exhibition by The British Library.

‘Dulce et Decorum Est’, perhaps Owen’s most iconic poem, is on display. The poem was written in October 1917 and revised a few months later, in early 1918. Owen sent the poem to his mother, Susan Owen, with the message: ‘Here is a gas poem done yesterday, (which is not private, but not final).’

Field Post Box

Soldiers waiting for post

We also fittingly have on display Wilfred Owen’s poem ‘The Letter’. The poem depicts a soldier writing a letter to his wife back home. Whilst writing the letter, the soldier is fatally hit, and a comrade finishes the letter off for him.

The poem highlights the importance of letter writing to soldiers and also the danger present at all times in the trenches. It also illustrates that the contents of letters home may not have accurately depicted the conditions of everyday life for soldiers.

 

The exhibition is open Monday to Friday, until 27th March 2015 and entrance is free.

If you are unable to visit the exhibition in person, we have launched a simultaneous online exhibition in partnership with the Google Cultural Institute.

Dominique Gardner, Exhibitions Officer