Category Archives: Uncategorized

Our blog has moved!

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This is the last blog you’ll find here, but we haven’t disappeared – we’ve upgraded!

In a little more than a year, we will be opening the doors to The Postal Museum. Gearing up for this excitement, we’ve got a new name, a new logo, and we’ve built a whole new website: postalmuseum.org.

Visualisation of how The Postal Museum might look

Our blog has a new home there – postalmuseum.org/blog – where we will be sharing more stories, discoveries and updates as we work towards opening.

Thank you to all our readers and we hope to see you over at postalmuseum.org!

Pop it in the Post – Your world at the end of the street

Last year we celebrated 175 years since the introduction of the world’s first stamp, the Penny Black, and 160 years since the invention of the pillar box. Both are now everyday objects that we are more than familiar with. Pop it in the Post, our family-friendly exhibition, explores these and other new, and sometimes quirky, ideas that made the mail accessible to all. You can visit now at Havering Museum in Romford until 26 March, free of charge.

Painting titled 'The Postman', 1891

‘The Postman’, 1891 (OB1997.5)

Children and adults alike can discover the story of the letter writing revolution and how millions of people’s lives were changed as a result of the innovative problem-solving of Rowland Hill and Anthony Trollope, the brains behind the stamp and pillar box.

Pop it in the Post at Islington Museum, March 2015

Pop it in the Post at Islington Museum last year

As part of the exhibition you can see the writing slope and handstamp Trollope used whilst travelling and working around the country, as well as three early pillar boxes from the BPMA’s collection.  There is also a chance to dress up as a Letter Carrier (an early postman) and solve some post puzzles.

One of the first pillar boxes to be used in the British Isles, introduced in the Channel Islands circa 1852-1853 (OB1996.653)

One of the first pillar boxes to be used in the British Isles, circa 1852-1853 (OB1996.653)

Come along to find out more about these life-changing inventions and how they created a communications revolution.

Havering Museum is open Wednesday – Saturday 11am-4pm.

-Emma Harper, Exhibitions Officer

Primary and Secondary school teachers needed for PAID BPMA Focus Group. Monday 7 December

How can you help? 

We’re looking for Primary and Secondary teachers to take parHigh res St Luke's image from Dan Haworth-Salter for learning bannert in a focus group on Monday 7 December from 5.30pm to consult on the development of our marketing campaign for schools.

Teachers will be asked to feedback on proposed marketing ideas and consult on how we should publicise our new learning programmes. 

  • 5.30 – 7pm on 7 December Mount Pleasant Mail Centre, Farringdon Road, EC1A 1BB. Directions will be provided
  • Complimentary refreshments
  • £30 thank you gift for participating teachers
  • Opportunity to win a free workshop for your school

To express interest please email BPMA Learning Officer Sally Sculthorpe by Thursday 4 December.

 

Getting ready for Europhilex 2015

BPMA newbie and Fundraising Assistant Cat shares all that has gone into preparing for the largest stamp event in Europe – Europhilex 2015

I have just had my two month anniversary working for the BPMA and what a busy two months it has been! I don’t think I could have joined the BPMA at a better time with so many events coming up and it being such a crucial time in the run up to the opening of The Postal Museum and Mail Rail. At the moment, my work has been largely focusing on philately (my new favourite word) and the upcoming Europhilex show. I have been working really closely with our Fundraising Events Officer, Sarah Jenkins who having worked on the regular Stampex shows, has been my philately guru and mentor.

Reading through our article in the London 2015 newsletter

Reading through our article in the Europhilex newsletter

Together, we have made our way through what has sometimes seemed a never-ending to-do list to prepare the BPMA stand at Europhilex. One of the highlights of my first week was watching Sarah and our Marketing and Commercial Assistant Katie use their creativity to map out the stand space in an empty office, using any objects they could find. I think it was at this point that I realised this job was going to be an interesting and unique one!

One lucky winner will go home with a print from the original Penny Black die - visit our stand this week for more details

One lucky winner will go home with a print from the original Penny Black die – visit our stand this week for more details.

I have been amazed at just how much work goes into every event that the BPMA hold. Talks about Europhilex began months before I even started. For the stand, we have worked to a strict timetable with regular meetings discussing all of the details in turn.  I will admit this now;  in these meetings I often found myself writing words in my pad and referring to my good friend Google….the nod and smile tactic was used quite a lot. There have been a lot of discussions around the star of the show – the Machin cast – which will have its own spotlight and plinth. Treatment fit for a Queen!

The Star of the Show - the Machin Cast

The Star of the Show – the Machin Cast

Alongside planning the stand, I have also been organising bits ‘n bobs for events we are holding around Europhilex week including an Afternoon Tea for invited guests. I constantly made the error of ordering cakes and canapés for these events before lunch. I never knew a job could also make you so hungry. This experience has been an incredible one and I am just so excited to see it all in action next week at Europhilex. Wish me luck!

If you want to follow our progress next week then stay tuned to the BPMA on Twitter, where I will be posting updates all week.’

Last Post: Remembering the First World War

The First World War was a major turning point in the history of the Post Office. To mark the year of the centenary, our First World War exhibition, Last Post, is now open at Coalbrookdale Museum of Iron, part of the Ironbridge Gorge Museums group.

The exhibition explores the contribution of millions of people to wartime communication and the far reaching role of thePost Office on both the battlefield and the home front.

Field Post Office

Field Post Office

An Oxo tin among other things

Demonstrating the huge variety of items that could be sent through the post in wartime, you can see on display an OXO tin posted home from the fighting front by William Cox, a former Post Office worker. He posted the OXO tin back to his brother and sister, containing a button from the tunic of a fallen soldier and a piece of shrapnel.

Cox's OXO Tin

OXO tin sent home by Cox

Battlefield will and a favourite plant

You can also view the story of Private Leonard Eldridge of the 8th London Regiment (The Post Office Rifles). Soldiers were encouraged to write battlefield wills whilst on the Front. Private Eldridge’s will is on display in the exhibition.

Eldridge writes: ‘everything I possess except the aspadastras plant of mine, I give to you. The plant, I, with my last wish, leave it, and must be given to, Miss Florence Smith… She must be treated in my absence as my lover with every respect.’

Post Office Rifles

8th London Regiment – The Post Office Rifles

Wilfred Owen

Also on display in the exhibition are two original poems written by local Shropshire-born First World War officer and poet Wilfred Owen, kindly lent to us for the exhibition by The British Library.

‘Dulce et Decorum Est’, perhaps Owen’s most iconic poem, is on display. The poem was written in October 1917 and revised a few months later, in early 1918. Owen sent the poem to his mother, Susan Owen, with the message: ‘Here is a gas poem done yesterday, (which is not private, but not final).’

Field Post Box

Soldiers waiting for post

We also fittingly have on display Wilfred Owen’s poem ‘The Letter’. The poem depicts a soldier writing a letter to his wife back home. Whilst writing the letter, the soldier is fatally hit, and a comrade finishes the letter off for him.

The poem highlights the importance of letter writing to soldiers and also the danger present at all times in the trenches. It also illustrates that the contents of letters home may not have accurately depicted the conditions of everyday life for soldiers.

 

The exhibition is open Monday to Friday, until 27th March 2015 and entrance is free.

If you are unable to visit the exhibition in person, we have launched a simultaneous online exhibition in partnership with the Google Cultural Institute.

Dominique Gardner, Exhibitions Officer

Mail Rail gets the green light

Last week we received some very exciting news with regard to our plans for the new museum as Islington Borough Council approved our planning application to develop a stretch of the old Post Office Underground Railway – Mail Rail – into a unique subterranean ride.

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Waiting in the Dark ©Jonathan Bradley 

The announcement resulted in a great deal of media coverage for the BPMA including pieces on the TimeOut, Daily Mail, Wired and BBC News websites.

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Staff working on Mail Rail 

The decision means that, as part of a visit to The Postal Museum, due to open in central London in 2016, visitors will be able to explore the hidden world of Mail Rail under Mount Pleasant through an interactive exhibition and a 12-15 minute subterranean ride through 1km of the original tunnels, following the same route that much of the nation’s mail took for nearly 80 years from 1927-2003.

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The BPMA’s vision for Mail Rail 

The Mail Rail ride is part of the BPMA’s project to create the Postal Museum which will reveal the extraordinary stories of British social, communications and design history through the universally iconic postal service. By opening up almost 400 years of records and objects from the reign of King Charles I to the present day, The Postal Museum will reveal unusual and exciting episodes from British history. It will showcase curious items including a first edition of James Joyce’s Ulysses, original evidence from the Great Train Robbery trial, a Victoria Cross and flintlock pistols used to defend Mail Coaches in the 19th Century.

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delivering…The Postal Museum 

We are still waiting on the outcome of an application for £4.5m from the Heritage Lottery Fund, a decision on which is expected in May this year, which will allow us to start construction work on the Postal Museum, now including the Mail Rail ride. This is obviously a very exciting time for us here at the BPMA and we look forward to sharing our progress with you over the coming months. 

The remarkable (postal) life of Tony Benn

The BPMA is saddened to learn today of the passing of Tony Benn. Benn served as Postmaster General under Harold Wilson 1964-66 and was instrumental in establishing our predecessor the National Postal Museum, which closed in 1998. There are many things he will be remembered for including the building of the Post Office Tower, introduction of the Post Bus, creation of the Girobank and overseeing the introduction of postcodes. Possibly the most famous and controversial action, however, was his attempt to remove the Queen’s head from stamps.

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Tony Benn as Postmaster General

This revolutionary idea came about as part of a now infamous partnership with the artist and designer David Gentleman. In 1964 Benn launched an appeal for ideas to widen the scope of commemorative stamps to, in his own words, “celebrate events of national or international importance, to commemorate appropriate anniversaries and occasions, [and] to reflect Britain’s unique contribution to the arts and world affairs”.

In responding to this appeal Gentleman raised with Benn the issue of removing the Queen’s head, as he felt that its inclusion often caused problems for designers in terms of space for their work. This appealed to Benn’s socialist leanings and he encouraged Gentleman to submit his designs without the monarch.

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Example of a stamp with the Queen’s head

Both Benn and Gentleman fought hard for this radical change to stamp design suggesting that the Queen’s head be replaced with the words “Great Britain” or “U.K. Postage” as can be seen on examples such as Churchill design below. However by the end of 1965 the Queen, having initially entertained the idea, decided in no uncertain terms that she wanted her head to remain on stamps.

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The Churchill stamp design without the Queen’s head

A compromise was put forward to address Gentleman’s initial issue of space that resulted in a new small cameo silhouette, created from Mary Gillick’s sculpture for pre-decimal coinage, being included on pictorial stamps instead of the full Queen’s head image. This gave designers much greater leeway and changed the form, appearance and subject matter of stamps for over 20 years, allowing for a wider variety of images to appear including the first British Christmas stamps designed by children.

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With new small Queen’s head image

Gentleman had won his battle, but for Tony Benn his socialist idea of removing the Queen’s head off of stamps was never realised. He had however challenged the system, and as a result implemented the first major change to stamps in many years.