Tag Archives: BPMA

Stamps @ The Movies

Everyone has a favourite film, whether it’s a mushy Rom-Com or an Action Thriller, they bring stories into our lives and create characters you remember forever. Many different aspects of the film industry have been portrayed on stamps; here are just a few examples.

30p, Old Cinema Ticket from 100 Years of going to the pictures - A Cinema Celebration (1996)

30p, Old Cinema Ticket from 100 Years of going to the pictures – A Cinema Celebration (1996)

Iconic film legends have appeared on stamps over the years including English born actress Vivien Leigh, best known for her academy awarding winning role as Scarlett O’Hara in ‘Gone with the Wind’ (1939).  Leigh has actually appeared twice; once in 1985 for ‘Great British Film’ and again in ‘Great Britons’ from 2013.

1st, Vivien Leigh (1913-1967) from Great Britons (2013)

1st, Vivien Leigh (1913-1967) from Great Britons (2013)

31p, Vivien Leigh (from photo by Angus McBean) from British Film Year (1985)

31p, Vivien Leigh (from photo by Angus McBean) from British Film Year (1985)

 

 

 

 

 

 

 

David Niven has also featured in his role as Peter Carter in ‘A Matter of Life and Death’ 1946, where after falling from a Lancaster bomber without a parachute, he argues his case in court to remain on earth. Niven also played British spy James Bond in the independent 1967 spoof of Casino Royale.

1st, A Matter of Life and Death (1946) from Great British Film (2014)

1st, A Matter of Life and Death (1946) from Great British Film (2014)

Many films are adapted or based on books or plays and stamps throughout the years have commemorated both films and their inspirations. The Rocky Horror Show was initially a book created by Richard O’Brien transferred to the stage and finally made into a film in 1975 featuring Tim Curry.

97p, Rocky Horror Show from Stage Musicals (2011)

97p, Rocky Horror Show from Stage Musicals (2011)

1st, Harry Potter and the Philosophers Stone from Harry Potter (2007)

1st, Harry Potter and the Philosophers Stone from Harry Potter (2007)

 

 

 

 

 

 

 

 

 

The Harry Potter Novels have been hugely popular in recent years documenting the childhood of one boy wizard and his friends. Now made into eight films it is a huge franchise with its own theme park in Orlando. The above stamp from 2007 features the first book cover, ‘The Philosopher’s Stone’.

Carry on Hammer 50p Stamp (2008) Carry on Cleo

Carry on Hammer 50p Stamp (2008) Carry on Cleo

Stamps also celebrate the films themselves, appealing to all ages. The above stamp ‘Carry On Cleo’ from 2008 references the huge Carry On franchise synonymous with British humour. C.S.Lewis’ fantastical Chronicles of Narnia novels have been made into 3 movies, with key characters featuring in 2011’s Magical Realms issue.

97p, Aslan from Magical Realms (2011)

97p, Aslan from Magical Realms (2011)

Star Wars 1st Stamp (2015) Yoda

Star Wars 1st Stamp (2015) Yoda

 

Contemporary cinema also appears in stamp design. October saw the release of Royal Mails commemorative stamps to celebrate the new Star Wars movie. New and old characters are depicted alongside iconic spacecraft like the Millennium Falcon.

Star Wars 1st Stamp (2015) Millennium Falcon

Star Wars 1st Stamp (2015) Millennium Falcon

34p, Alfred Hitchcock (from photo by Howard Coster) from British Film Year (1985)

34p, Alfred Hitchcock (from photo by Howard Coster) from British Film Year (1985)

 

Many films are created by talented producers and writers. Alfred Hitchcock is probably recognized as the greatest British filmmaker, directing ‘To Catch a Thief’, ‘North by Northwest’ and his infamous ‘Psycho’. He was nicknamed ‘The Master of Suspense’ and made many cameo appearances in his movies.

 

 

Writers like Arthur Conan Doyle have had their literary creations celebrated on stamps. Doyle’s most iconic character Sherlock Holmes had his own stamp issue in 1993. Holmes has been portrayed in many films by the likes of; Christopher Lee, Basil Rathbone and most recently Robert Downey Jr.

1st, Sir Arthur Conan Doyle 1859-1930 from Eminent Britons (2009)

1st, Sir Arthur Conan Doyle 1859-1930 from Eminent Britons (2009)

Sherlock Holmes 24p Stamp (1993) The Reigate Squire

Sherlock Holmes 24p Stamp (1993) The Reigate Squire

 

 

 

 

 

 

 

 

The influence of film making is wide reaching and will inevitably continue to be a key theme in stamp design.  The characters and actors are easily recognisable, creating a fun and interesting way of celebrating our favourite films. I wonder what movie will appear next…..

-Georgina Tomlinson, Philatelic Assistant

QEII Longest Reigning Monarch

Wednesday 9 September marked the day our Queen, Elizabeth II, became the longest ruling monarch in British history, taking the title from Queen Victoria. To commemorate this occasion Royal Mail released a new stamp issue ‘Long to Reign Over Us’.

Long to Reign Over Us

Long to Reign Over Us, Miniature Sheet 2015

Above you can see the Miniature Sheet, issued with images of both the Wyon Medal, on which the original Penny Black was based, and the three-quarter portrait of the Queen by Dorothy Wilding. The Amethyst Machin definitive in the centre includes the words ‘Long to Reign Over Us’ in the background of the stamp.

Long to Reign Over Us 1st Stamp (2015) Machin Definitive

Long to Reign Over Us 1st Stamp (2015) Machin Definitive

To mark this momentous occasion I thought we should take a moment to look at some stamps that document milestones of the Queen and her predecessors. Queen Elizabeth is the 40th monarch since William the Conqueror and will become the longest ruling by surpassing the 63 years and 216 days amounted by Queen Victoria.  

Kings & Queens, House of Hannover £1.10 Stamp (2011)

Kings & Queens, House of Hannover £1.10 Stamp (2011)

Kings & Queens, House of Hannover £1.00 Stamp (2011) Queen Victoria 1897 Diamond Jubilee

Kings & Queens, House of Hannover £1.00 Stamp (2011)

In 1952 Elizabeth inherited the throne from her father, King George VI, who became King in 1936 as the result of his brother’s abdication to marry American socialite Wallis Simpson. We can see the family  line of succession in the stamp issue of 2012 depicting the House of Windsor and Saxe-Coburg-Gotha. 

The House of Windsor - (2012) Presentation Pack

The House of Windsor – (2012) Presentation Pack

During the Second World War Elizabeth trained as a driver in the Women’s Auxiliary Territorial Service (WATS) to serve her country. It was here she learnt to change tyres, rebuild engines and drive heavy vehicles. We can see an image of her during this period in the centre of the below stamp.

60th Birthday of Queen Elizabeth II 17p Stamp (1986) Queen Elizabeth II in 1928, 1942 and 1952

60th Birthday of Queen Elizabeth II 17p Stamp (1986)

Elizabeth married Philip Mountbatten in 1947 and had two of her four children before her coronation; Charles in 1948 and Anne in 1950. It was on a trip to Kenya in 1952 that she became Queen, though she was not officially crowned until a year later. It was the first time the ceremony was broadcasted to the nation, allowing everyone to celebrate the event.

50th Anniversary of Coronation 1st Stamp (2003) Queen Elizabeth II in Coronation Robes

50th Anniversary of Coronation 1st Stamp (2003)

During her reign the Queen has had two children, eight grandchildren and now five great grandchildren. As monarch, much of her life, and that of her children, has been spent in the public eye and over the years we have seen stamps document the marriages of all the Queen’s children, most recently her grandson Prince William.

Royal Wedding of His Royal Highness Prince William and Miss Catherine Middleton £1.10 Stamp (2011)

Royal Wedding of His Royal Highness Prince William and Miss Catherine Middleton £1.10 Stamp (2011)

The Queen has ruled through difficult times; with social unrest, conflict and the possibility of a split nation. During this time she has also made numerous changes to the monarchy; from opening up her residences to the public to supporting the end of male primogeniture. She has presided over 12 Prime Ministers including Winston Churchill, Margaret Thatcher and Tony Blair and has visited countries across the world.

Prime Ministers 1st Stamp (2014) Margaret Thatcher

Prime Ministers 1st Stamp (2014) Margaret Thatcher

Prime Ministers 1st Stamp (2014) Winston Churchill

Prime Ministers 1st Stamp (2014) Winston Churchill

 

 

 

 

 

 

Her Royal Highness has devoted her life to her country, performing over 60 years of service. It is through the commemorative stamps of her reign that we can see the development of her life and that of her decedents. In a time when the popularity of the monarchy is suffering, one must acknowledge her dedication and continued love of her country and through ‘Long to Reign Over Us’ we celebrate this.

-Georgina Tomlinson, Philatelic Assistant

Dear Amie

At the BPMA we regularly work with local community groups, engaging them with our collection and listening to their stories. The outcome is always rewarding, but sometimes the way these groups interpret our collections is truly heart-warming. The BPMA Community Learning Officer, Hannah Clipson, tells us about her experience working with a group of 10 trafficked women known as the Amies.

During the summer of 2014 I spent 12 weeks working with the Amies on a project run in partnership with the October Gallery to investigate the design history of the postal service. These women are of diverse nationalities and ages; brought together by PAN Arts, a London based Arts Company, and The Poppy Project, an organisation providing support, advocacy and accommodation for trafficked women, and as such had a wide range of experiences and outlooks.

Over the course of the 12 weeks we looked at the changing uniforms of postal workers, the process of stamp design, the poster collection and mail art.

Examples of mail art from the BPMA collections

Examples of mail art from the BPMA collections

Inspired by their own experiences and the objects and stories explored in the BPMA collections, the group responded in creative ways, guided by the artist Ella Phillips from October Gallery. We designed our own stamp artwork, sent our own mail art through the post and they sent letters to family and friends, some examples of which you can see below. In addition, each participant had their own sketch book that they could add to during the workshops and in their own time.

Some of the work created by the Amies

Some of the work created by the Amies

Dear Amie exceeded our expectations; not only did it facilitate a range of positive outcomes for the participants but it also proved invaluable to the BPMA. One of the participants described her pride in having created positive experiences and a new life for herself and there was an eagerness to develop a second phase of the project in 2015. For this the women decided they’d like to create a textile output which will be displayed in our brand new Postal Museum, due to open in 2016.

Stamp artwork created by the group

One of the Amies design for a stamp showing things important to her

For the BPMA we learned some extremely valuable lessons and gained some remarkable stories of what the postal service means to different people. The level of engagement showed us the true potential of our collection and the diverse ways in which it can be used to inspire a wide range of audiences. The postal theme resonated with the women in a way that we could not have imagined. For most of them, sending a letter to loved ones had been a lifeline through extremely difficult circumstances. Recollection of these memories, stimulated through the exploration of BPMA material, led to a fascinating and unexpected reinterpretation of some of our objects and the discovery of some truly remarkable, personal stories. It reinforced to us that our collection can be interpreted in meaningful, personal ways and act as a catalyst to uncovering touching stories such as those of the Amies.

The Mystery of the Tolhurst Envelopes

We love a mystery at the British Postal Museum & Archive and the identity of the artist behind the illustrated ‘Tolhurst’ envelopes has intrigued us for years.

2014_0038_103

2014-0038/103

The first step in identifying the artist was to research the address to which the majority of the envelopes were sent: St Lawrence, Ernest Road, Hornchurch. Staff at Havering Museum, where a selection of the envelopes were recently displayed, found that the 1911 census showed the occupants as George, Amelia, Frederick and Amy Tolhurst. Frederick and George Tolhurst, father and son, were frequent recipients of the illustrated envelopes.

1911 census record, St Lawrence, Hornchurch

1911 census record, St Lawrence, Hornchurch

Locating the census record enabled the identification of all but one recipient: Vera. Vera received the majority of the illustrated envelopes in the collection, and the majority of Vera’s letters were sent to the Hornchurch address. However, she did not appear in the census record, nor could we find her in the birth records of the General Register Office, due to lack of information. Not put off, we used the information we had accumulated to construct a family tree.
Returning to the envelopes, we found a vital piece of information: the initials ‘FC’ or ‘FCT’ appeared in the corner of several illustrations. Using the family tree, we narrowed down the identity of the artist to Frederick Charles Tolhurst.

Tolhurst signature, 2014_0038_110

The artist’s initials

The identity of Vera continued to elude us, however. We considered whether Vera was a nickname, or perhaps an acronym, but we had no evidence to confirm either of these theories. We drew a step closer to the truth last week when we discovered a postcard which was addressed to Vera and signed ‘with love & kisses from your Mama & Papa’.

with love from mama and papa 2014_0038_112_back

The evidence that steered our search

We searched the birth index for Vera Tolhurst and identified a Vera Sylvia Tolhurst, born in 1908 in the district of Lambeth. A copy of the birth certificate arrived at the BPMA yesterday: listed as Vera’s father is Frederick Charles Tolhurst, and listed as his occupation is Lithographic Artist Journeyman. By 1911, Tolhurst’s occupation had changed to Trade Union Secretary, but his artistic talent was maintained in the mail art he frequently sent to his family.

A postcard from Tolhurst to Vera (2014_0038_112)

A postcard from Tolhurst to Vera (2014_0038_112)

I’ve been inspired by the Tolhurst envelopes to try my hand at mail art. Why don’t you have a go and let us know if they arrive by Tweeting @postalheritage using #mailart.

My attempt at mail art

My attempt at mail art

Joanna Espin, Curator

Delivery by Design: Stamps in Antarctica at The Polar Museum, Cambridge

With a population of just 250, The British Antarctic Territory, which covers 660,000 square miles of Antarctica from offshore islands to the South Pole itself, doesn’t necessarily seem like somewhere that the postal service would need to operate. But, despite the low number of permanent residents, the Territory issues both its own postage stamps and coins and even has an Antarctic Postman, based in Port Stanley on the Falkland Islands, who visits the outlying research bases by ship.

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With such a fascinating story to tell, it’s no surprise that there is now an exhibition devoted to the postage stamps of this remote territory. Last Thursday The Polar Museum in Cambridge launched the captivating Delivery by Design: Stamps in Antarctica exhibition. With the assistance of the Foreign and Commonwealth Office and the Scott Polar Research Institute the exhibition uses stamps, printing proofs and original artworks to shed light on this little known corner of the globe, from native wildlife including Emperor Penguins and Huskies to ships ploughing through ice and planes flying over the frozen sea, commemorating British expeditions to the Antarctic throughout history.

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The exhibition at The Polar Museum is a wonderful example of how stamps are much more than just a means of sending a letter from A to B. They are a window into history giving a snapshot of the social, cultural and design influences of any given period across every region of our planet. With every stamp from the Penny Black to the present day and all stamp artwork, both adopted and unadopted (including from such famous artists as Paul Nash, Terence Cuneo and David Gentleman) in our collections, we know that there are hundreds if not thousands of interesting stories just waiting to be told. It’s great to see exhibitions such as that at The Polar Museum bringing these stories into the public domain and I hope you will take the opportunity to pay it a visit.

Adrian Steel – Director

The exhibition will be running at The Polar Museum, Scott Polar Research Institute, University of Cambridge until 6 September 2014. Entry is free and the museum is open 10-4 Tuesday to Saturday. www.spri.cam.ac.uk/museum

The Thin Red Streak: the Histories of The Times’ War Correspondents

Anne Jensen is the Archivist Assistant at News UK. This Thursday (20 February)  from 7pm-8pm, she will be giving a talk on the histories of The Times’ War Correspondents from the Crimean in 1854 to today. Tickets are still available. Here she gives a glimpse about what you can expect to hear about later on this week…

From the writing of a story in the field to its publication in the newspaper there is often a lot of drama. War correspondents have lied, smuggled, bribed and pleaded to get their dispatches to their editors by post, ship, runner, telegraph, phone, balloon, and pigeon.

The archive of The Times is full of documents telling these stories. The descriptive reports from the battlefields of the Crimean War (October 1853 – February 1856) written by William Howard Russell, took weeks to reach London. An example of this was his letter reporting the arrival of the allied forces outside Sebastapol.  The letter was dated 4 October 1854 and it was published in the paper on the 23 October, almost 3 weeks later.

Russell

Letter from William Howard Russell to John Thadeus Delane, Editor of The Times, dated 23 April 1855.

The Crimea War was the first war in which the telegraph was to figure. Russell’s access to the telegraph was dictated by the military authorities and was sporadic and inconsistent and he continued to rely upon a mixture of overland mails, boat and telegraph when the opportunity allowed.

Through the Siege of Khartoum (1883-1885) it continued being difficult to get the news sent home to London. Frank le Poer Power sent messages via steamer and telegraph from Khartoum until the middle of April 1884, but then the telegraph was cut and all communication with Khartoum was lost. However, Power continued to send dispatches by runner, none were received by The Times until one runner successfully reached Musawwa in September. Three messages, written in April and July, were handed to the provincial governor, Alexander Mason, who forwarded them to Charles Moberly Bell, The Times’ Cairo correspondent. They were published in The Times on September 29, 1884 and told of an increasingly desperate situation.

An interesting postscript to this story was added in 1890, when one of Power’s despatches, dated April 14, 1884, was received by The Times. It had been delivered to Sir Evelyn Baring in Cairo. It transpired that the messenger who had been sent from Khartoum carrying the telegram had arrived in Dongola, the day before it fell to the Mahdi. The messenger was captured and imprisoned by the enemy, but not before he had successfully hidden the telegram in the wall of a house outside the town. Following his release from prison several years later he returned to the house, retrieved the telegram and took it to Cairo. As Moberly Bell had by now returned to London to become the Manager of The Times, the messenger delivered the document to Baring who forwarded it to his old friend Bell.

Khartoum

Handwritten telegram sent to The Times by Power on Easter Monday [April 14] 1884. This message did not reach The Times until 1890. The runner carrying the telegram arrived in Berber the day before the Dervishes captured it. On the fall of Berber he hid the messages in a house outside the town and returned to Khartoum. When Khartoum fell the runner was imprisoned for some years and subsequently returned to Berber, removed the telegram from its hiding place and delivered it to Sir Evelyn Baring, the British Agent in Cairo, who forwarded it to The Times.

The talk will also cover stories from the Siege of Ladysmith (1899-1900), where a telegram was captured by the enemy, and the Russo-Japanese war (1904-05), where The Times spent a fortune on wireless communication.

During the First World War the stories sent back from correspondents at the front were subject to strict censorship by the War Office Press Bureau.

At the beginning of the war Arthur Moore was sent to work behind the British Expeditionary Force. He found himself among the scattered remnants of the British Fourth division after the retreat from Mons, and was alarmed at what he saw.

On the 29th August 1914 he wrote, from Amiens, a dispatch and sent it to London where it arrived on Saturday evening. Both the acting Editor George Sydney Freeman and Henry Wickham Steed, the Foreign Editor, thought it unlikely that the dispatch would pass the censor. They applied their own censorship before sending it to the Press Bureau, from whence it returned two hours later.

Dispatch from Arthur Moore from Amiens. Copyright The Times.

Covering letter from The Times submitting the Amiens dispatch for censorship. Censor, F.E. Smith’s reply can be read on the covering letter.

On the covering note F.E. Smith, the head of the Press Bureau, had annotated: “I am sorry to have censored this most able and interesting message so freely but the reasons are obvious. Forgive my clumsy journalistic suggestions but I beg you to use the parts of this article which I have passed to enforce the lesson – re-enforcements and re-enforcements at once.”

A number of deletions made by Freeman and Steed had been restored by Smith and a couple of extra phrases had been added to the last paragraph in Smith’s handwriting, strengthening the dispatch’s conclusion. The annotation on the covering note was taken as an order to publish the dispatch and it was published, as amended by Smith, the next morning.

The dispatch caused quite a stir as it was the first time a newspaper had reported the gravity of the situation so openly.

Next morning, The Times published a sharply worded column by Freeman, which explained that Moore’s offending dispatch had been published not merely with the consent but at the request of the head of the Press Bureau. With this reply from Printing House Square attacks on The Times ceased.

Expenses claim by

Transcript of Philby’s list of the personal kit he lost on 19 May 1940 while retreating rapidly from Amiens the day before the German army captured the town.

In the very early days of the Second World War we come across a well-known name: Harold Adrian Russell Philby, better known as Kim, was appointed correspondent of The Times with the British Expeditionary Force in France on 9 October 1939. The documents held at the archives of The Times tell the story of the rapid retreat from Amiens, the main base for the British war correspondents, on 19 May 1940, the day before the Germans captured the town.

Philby lost his personal kit, when the war correspondents were taken to Boulogne and shipped back across the Channel before that town was captured on the 23 May 1940.

The expense claim which Philby wrote detailed, amongst other things a “camelhair overcoat (two years of wear)” and a “Dunhill pipe and pouch (six years old but all the better for it)”. A copy memorandum to the accountant shows that Philby was only paid £70 of the £100 16s he estimated as the value of the items lost.

Anne Jensen, Archivist Assistant at News UK

The talk will conclude with a look at present day war correspondence and coverage of the Iraq war in 2003.

Please book your space online or simply show up at the Phoenix Centre (next door to the BPMA Search Room) for 7pm to attend.

Tickets are £3 per person, £2.50 for concessions (60+) and accompanied children under 12 free.

Tenth Anniversary of the Final Traveling Post Office Journeys

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Men stand in front of the first train coach used to sort mail on the North Eastern Railway.

Today is the tenth anniversary of the last journeys of Royal Mail’s Travelling Post Offices. First used in 1838, they revolutionised the way mail was moved across the country. From romantic images of steam engines to the brutal realities of the Great Train Robbery, TPOs were an instantly recognisable part of the national fabric until they were phased out in 2004.

To mark this anniversary, BPMA has written a guest blog for the National Railway Museum which can be found here. An online version of our Great Train Robbery exhibition, The Great Train Robbery, the aftermath and the Investigations: A Story from the Archive, marking the most infamous episode in the history of the TPO can be viewed on Google Cultural Institute’s website.