Tag Archives: Design Museum

BPMA Collections Out and About

Current work at the BPMA is focussed around plans for our New Centre at Calthorpe House and especially for the design of a permanent exhibition space in which to show the many different objects in our collection. This will support and expand on the work we already do through our accredited museum at the Museum of the Post Office in the Community and our travelling exhibitions. Another aspect of our work however, is our loans to other museums as far apart as Cornwall and Scotland to name but a few.

The collections of the National Maritime Museum in Falmouth consist of a range of objects from boats to art as well as extensive archives that help tell the maritime heritage of Cornwall. An important part of this is a display on The Falmouth Packet Service, 1789-1851 which is where the objects from the BPMA can be found: two Flintlock Pistols issued to help protect the ships and the mail they carried, and two Maritime handstamps, one for the Falmouth Packet Service itself and the other for postage paid at St Ives port for a Ship Letter. These objects help tell the story of how Falmouth became a central hub of communication for over 150 years. They sit alongside objects from the museum’s own collection such as a mail bag from HM Packet Ship Crane and letters sent via Packet Ships.

Flintlock pistol on display at the National Maritime Museum, Falmouth.

Flintlock pistol on display at the National Maritime Museum, Falmouth.

Objects loaned from the BPMA can also be seen at the opposite end of the country. The Riverside Museum in Glasgow is Scotland’s Museum of Transport and Travel, which opened in 2011 after a major development project. The museum includes many innovative ways of interpreting transport collections such as a ‘car wall’ and a suspended bicycle velodrome display. Amongst the displays is one on the role of the Telegram Messenger boy.

The focus of the display is a motorcycle used by messengers on delivery. It was the thought of riding one of these that often encouraged boys to join the Post Office. However, the role of the Telegram Messenger involved far more than just this, as is explored via a series of touch-screens where visitors can play a game to see who can deliver their telegrams most efficiently. Next to this is a manikin dressed in a Telegram Messenger boy’s uniform complete with waterproof leggings, motorcycle goggles, helmet and gloves all from BPMA’s collection as well as the standard issue jacket and pouch.

These objects provide a wider context to the display of a vehicle, helping to bring the object and the stories connected with it to life. Indeed, the display has provoked the memories of many visitors, just like those Jim has shared with us in previous blogs.

Telegram messengers display at the Riverside Museum, Glasgow.

Telegram messengers display at the Riverside Museum, Glasgow.

Finally, from 30 January an F type pillar box from the BPMA collection will be on display at the Design Museum, London as part of their Extraordinary Stories exhibition.

Elizabeth II Type F Twin Pillar Box (OB1994-50i)

Elizabeth II Type F Twin Pillar Box (OB1994-50i)

The F type pillar box was a revolutionary design by the industrial architect David Mellor. It was developed in response to a request from the London Postal Region for a box with three apertures. One way of providing this facility was by utilising a ‘square’ shape so that boxes could be used in modular format, either as single, double or triple units. In the event, following eight years of trial and failure, a three-apertured variant never did get used. However from 205 boxes constructed, some 200 boxes were put into use across the country in both single and double format. The failure to produce a durable protective finish to the sheet steel panels (themselves a radical departure from the usual cast iron traditionally utilised) meant that the boxes promptly rotted, particularly the bases.

None of the boxes survive in use in the street today (the last to be removed was in the late 1980s) but a handful survive in museum and private collections. The design was not entirely dispensed with; the cast iron G type pillar box leans heavily upon Mellor’s design, many of the G type boxes continue to provide excellent service today.

BPMA holds examples of both single and double units in its collection, also another solo box partially stripped to allow the special ‘easy clear’ internal mail mechanism developed by Post Office Engineers to be seen. The single box can be seen as part of the exhibition at the Design Museum until January 2014. The other examples can be seen at events and tours taking place at the Museum Store. They will be a particular focus during the Pillar Box Perfection event taking place at the store on Saturday 6th April 2013.

By lending objects to other museums the BPMA increases access to its own physical collection and conveys the important human story of communication that is shared by everyone.

– Emma Harper, Curator (Move Planning)
– Julian Stray, Curator

Concorde – A British Design Classic

Having recently catalogued all Great Britain Queen Elizabeth II pre-decimal commemorative registration sheets of stamps, it dawned on me how much the ‘First Flight of Concorde’ stamps of 1969 stood out; both in terms of their slick design and ultimately the subject that they embodied. After all, this ‘Supersonic’ airliner, of Anglo-French origin is as an aviation and engineering icon.

During the late 1950’s, The British, French, Soviets and Americans were in competition, as each nation industriously worked towards developing a form of commercial civilian supersonic transport. It was the British and French however (both funded by their respective governments) who jetted ahead in this particular pursuit. Subsequently they developed designs called the ‘Type 233’ and ‘Super-Caravelle’ respectively, which ultimately saw them leading the commercial aircraft market at the time, which until then had been dominated so ardently by the United States.

First Flight of Concorde - 4d value, designed by M. and S. Goaman, issued 3 March 1967.

First Flight of Concorde – 4d value, designed by M. and S. Goaman, issued 3 March 1967.

First Flight of Concorde - 9d value, designed by David Gentleman, issued 3 March 1967.

First Flight of Concorde – 9d value, designed by David Gentleman, issued 3 March 1967.

First Flight of Concorde - 1s6d value, designed by David Gentleman, issued 3 March 1967.

First Flight of Concorde – 1s6d value, designed by David Gentleman, issued 3 March 1967.

Due to the impending costs which ensued with the production costs however, the British and French combined forces, forming an international treaty (rather than an agreement on commercial terms) in the early 1960’s, where their newly formed British Aircraft Corporation (BAC) and Aérospatiale companies merged, on what famously became the ‘Concorde’ project. It was this partnership which proved triumphant, as the first Concorde prototype was presented in 1967.

Concorde’s maiden flight on the 2nd March 1969 was heralded as ‘faultless’. The aircraft took off from Toulouse and reached 10,000ft. The following day three postage stamps were issued in Britain, with one design (4d) by M. and S. Goaman and the other two (9d and 1s 6d) designed by the prolific and imperious David Gentleman. Looking at Gentleman’s designs specifically, the simple but bold minimal style sits well within current trends in graphic design, thus evoking a timeless appeal. Printed by Harrison and Sons on chalk-surfaced paper, with two phosphor bands, the stamps pay homage to this British design great.

French Stamp – ‘First Commercial Flight of Concorde’, 10/01/1976

French Stamp – ‘First Commercial Flight of Concorde’, 10/01/1976

French Stamp – ‘Regions of France – Pyrenees’ featuring Concorde, 10/01/1976

French Stamp – ‘Regions of France – Pyrenees’ featuring Concorde, 10/01/1976

Although a success, Concorde’s maiden flight never actually reached above 300mph, thus failing to achieve its potential ‘supersonic’ status. Concorde’s first supersonic flight (for those inquisitive amongst you) came on the 1st October 1969 where it achieved closer to the 1,300mph it was capable of. Concorde’s first commercial flights took place on 21st January 1976 – Air France flew from Paris to Rio and British Airways’ Concorde flew from London Heathrow to Bahrain. Concorde’s final flight was on 26th November 2003, following the tragic aftermath of Concorde’s only crash on 25th July 2000, and the global economic downfall of the subsequent years.

Evidently, Concorde was voted the winner in the ‘Great British Design Quest’ competition of 2006. Organised by BBC2’s The Culture Show and London’s Design Museum, the Concorde design beat competition from 25 other British design classics – including Mary Quant’s mini skirt, the Routemaster Bus and Harry Beck’s 1931 London Underground Map design (runner-up). This news came as a delight to Concorde fans, notably Tony Benn – the former Postmaster General – who himself has been so prominent throughout British Postal History. Benn was the Aviation Minister responsible for giving Concorde the go-ahead in the first place.

The 2009 stamp issue ‘British Design Classics’ features ten iconic designs, including Concorde and the other aforementioned ‘design classics’, plus others – thus tying in nicely with the British Design Classic theme of which Concorde so famously championed.

British Design Classics stamps - 13/01/2009

British Design Classics stamps – 13/01/2009

The full series of Queen Elizabeth II pre-decimal commemorative registration sheets are due to be made available via the BPMA’s online catalogue, each with a full catalogue description and a digitised section of each sheet, including of course the 1969 Concorde stamps.

You may also enjoy watching this video of Concorde’s maiden flight:

Stuart Aitken – Cataloguer, Philately