Tag Archives: GPO uniforms

New Exhibition: Unstitching the Uniform

A new exhibition entitled ‘Unstitching the Uniform’ is now open in our Search Room, inspired by, and including objects from, our recent community project with The Amies.  You may remember our Community Learning Officer, Hannah Clipson, has previously written about our work with this group of ten trafficked women brought together by PAN Arts and The Poppy Project, an organisation providing support, advocacy and accommodation for trafficked women.

During the project, the group investigated the design history of the postal service; a particular favourite focus became the huge variety of ever-changing uniforms worn by postal workers. Inspired by their own experiences and the objects and stories explored, the group responded in creative ways, including sewing their own versions of key uniform items from our collection, and collaborating with the artist Ella Phillips from October Gallery and textiles facilitator Susie Foster. It is this work that formed the inspiration and basis for the ‘Unstitching the Uniform’ exhibition.

The Amies together, © Brendan Foster Photography

The Amies together

From cloth caps to hessian bags, uniform has always been designed for durability, protection and identification and this theme is explored throughout the exhibition using original objects from BPMA’s collection such as caps, badges and telegram pouches. Also featured are those workers who pioneered a change in uniform, from Jean Cameron’s call for postwomen’s trousers to Mr Sant Singh Saneet’s successful campaign for the turban to become an accepted item of headgear.

Female horse and cart drivers, First World War, POST 118

Female horse and cart drivers in uniform, First World War (POST 118)

Alongside the objects and archival images are art installations by Ella Phillips and Susie Foster. Susie has created a jacket and skirt inspired by both the postwoman’s uniform and the design work of The Amies during workshop sessions. Ella charts the progress of The Amies throughout the project, telling some of their remarkable stories. Included on display is a pouch sewn by one of group, similar to one used by a Post Office telegram messenger boy.

Admiring some handiwork

Admiring some handiwork

The Amies at work

The Amies at work

 

 

 

 

 

 

 

 

We do hope you’ll come along to see this exhibition during our opening hours to follow The Amies on their journey, unravelling stories held within our collection, and to see the work that they inspired.

For more information about other amazing social enterprises involving the Amies group, visit www.flowerpress.org.

-Emma Harper, Exhibitions Officer

NEW PODCAST: Unstitching the Uniform

Last week Curator Joanna Espin gave a talk on the hidden stories behind our uniform collection at the Guildhall Library. In case you missed it, here is the podcast along with the accompanying slideshow.

The Story behind Five Postal Uniforms

Ahead of next week’s talk, ‘Unstitching the Uniform’, Joanna Espin shares the fascinating stories behind five postal uniforms.

1/ Protecting the mail on roads at the mercy of highwaymen I’ll start at the very beginning, with the first Royal Mail uniform, issued to Mail Coach Guards in 1784. Bold, militaristic and scarlet red, the Mail Coach Guard uniform was a symbol of authority; protecting the mail on roads at the mercy of highwaymen, the guards had to look powerful. 1 The Mail Coach Guard cut an imposing figure but also generated a reputation for being popular with the ladies. The early 19th century song ‘The Mail Coach’ tracks a Mail Coach Guard’s journey through various pubs and his encounters with various women, including the ‘sweetheart so snug at the bar’, and the ‘sweet little girl in the moon’. In 1837, when a GPO uniform was issued to London Two Penny Postmen, its supposed effect on women was commented on in a leading periodical, which recommended the abolition of ‘this very martial attire, which elevated the Postman into a formidable rival to the policeman in his little flirtations with our female servants’.  Here’s an image from ‘The Mail Coach’ song sheet, depicting the Mail Coach Guard with ‘sweet Nan at the star’.

2/ ‘Won’t you get cold in your stomach, going naked like that?’ As well as being a symbol of authority, uniform can be the object of derision, as demonstrated in this satirical cartoon of the Two Penny Postmens’ uniform. In 1837, Two Penny Postmen were issued with a coat, waistcoat and hat. Can you see what’s missing? Trousers. That’s because employees were expected to supply trousers themselves and so, very often, there was a juxtaposition between the smartness of the supplied uniform and the condition of the trousers. In the illustration here, the woman at the door exclaims ‘Goodness! Mr Doubleknokk. Won’t you get cold in your stomach, going naked like that?’ To which the letter carrier replies: ‘O no mum! It’s the government dress. Hat, coat & waistcoat & no trousers.’ 2

3/ A dangerous job and Dr. Merrit’s medical gussets Mail has been delivered by many methods across greatly varying terrain and one interesting example of this is the River Post of the Port of London. Established in 1800 and continuing until 1952, the job of delivering post to vessels anchored in the Thames was a dangerous one: both the first person appointed to the post and his assistant died in separate accidents. Early River Postmen were issued with a unique, scarlet, full skirted frock coat, trimmed with brown velvet, and incorporating ‘Dr. Merritt’s medical gussets’, for ventilation. Here’s a fantastic early 20th century lantern slide of Thames river postman, George Henry Evans, on his rounds in a more simple uniform. Can you see Tower Bridge in the background? 3

4/ The first full uniform for postwomen War was a catalyst for two developments in postwomen’s uniform: the introduction of the first full uniform and, later, the introduction of trousers. In the First World War, thousands of married and single women were employed in temporary positions for the duration of the conflict, in roles previously reserved for men. In 1916, the first full uniform was issued to postwomen, though women had been working for the GPO in small numbers since the 18th century. By comparison, the entire male delivery force had been uniformed since 1872. Here 12 postwomen model the new uniform. 4 5/ Women wearing the trousers A further development in women’s uniform came during the Second World War: in 1941 postwomen were permitted to wear trousers instead of skirts. First requested by a Scottish Postwoman, Jean Cameron, the idea was quickly taken up by the GPO and proved popular, with more than 500 pairs of trousers ordered in two months. By November 1943, 14,000 pairs of women’s trousers, or ‘Camerons’ as they were referred to in reference to their pioneer, had been issued. Jean Cameron spoke of her excitement at being the first postwoman to wear trousers because “I shouldn’t be a woman if I wasn’t pleased to be the first to start a fashion”.  Female counter staff were still required to wear skirts, with the concession that they could forgo stockings, due to the ‘need for economy in clothes’. Here’s an image from 1941 of a postwoman in her Camerons. 5     I hope you can make it to my talk at 6pm on Thursday 26 March at Guildhall Library. There’ll be free wine!

Volunteer Flora and the ‘box of doom’

My name is Flora, and I’m an MA Museum Studies student at the University of Leicester. Over April, I spent some time at BPMA, helping to audit and pack objects in preparation for the move.

Flora auditing and packing the museum collection.

Flora auditing and packing the museum collection.

I spent most of the time at Freeling House, delving into the archive downstairs. This included badges, ties, postcards, letters, publicity leaflets, and lots of other things. The postcards were particularly interesting, especially trying to make out the messages on the back of some of them. Less fun was counting a large number of duplicate badges for disposal – the total was 666 (as well as a small saxophone badge and a clip that looked as if it was from a pair of dungarees), so I think that definitely qualifies as a ‘box of doom’. We also found an old sign ‘In Case of Alarm of Fire’, with separate instructions for male and female employees (women were supposed to file out in pairs – I wonder what happened if there was an odd number?!).

Two days a week were spent out at the Museum Store in Debden, which is home to the larger (and often more unusual) objects. I can’t quite decide on my favourite; it’s a tie between the model of the HMS Queen Mary (complete with tiny moving lifeboats), parts of the Travelling Post Office (including a water boiler and food heater), or the Post Office ‘L’ Plates – I had no idea that the Post Office used to teach their own drivers.

Model of the HMS Queen Mary.

Model of the HMS Queen Mary.

One day involved packing lots of vehicle parts, helpfully listed as ‘assorted unknown parts’; luckily, another volunteer with an extensive knowledge of cars was on hand to help us identify what we were actually packing. There were definitely a few more challenges out in Debden – lots of oddly shaped objects that, just as you thought you’d finally wrapped them up, would burst back through the acid-free tissue paper and make a bid for freedom. I also got to dust a couple of post boxes and post vans which was fun – leading to complaints from my mum about my reluctance to dust at home.

I also spent two days down in the corner of the archive checking the old uniforms for signs of moth activity. There were a few false alarms (including a set of disintegrating shoulder pads in one of the jackets), but luckily, no signs of infestation (I did find one jacket with a few worn patches, but decided that moths probably haven’t yet developed the intelligence to eat in a completely straight line!). The range of uniforms hiding in the corner was astounding: I found Danish uniforms (both town and country, and summer and winter – clearly the Danes like their uniforms), as well as Canadian and Swiss ones. There were also Foreign Office uniforms, from when the General Post Office won the contract to dress some departments of the Civil Service as well as their own employees. It was amazing (and slightly terrifying) to be touching fabric that was over one hundred years old in some cases, but it was all remarkably well preserved. I also never realised quite how heavy overcoats were, especially the thick woollen ones.

Flora condition checking the uniform collection.

Flora condition checking the uniform collection.

I’ve thoroughly enjoyed my time here, and it’s been a great introduction to the practical side of collections documentation and management (rule number one: the collections database CALM is anything but!). I’d also like to say a huge thank you to Emma and Sarah for putting up with me (and for the plentiful supply of tea, biscuits and occasional cake out at Debden!)

See our Volunteers page to find out about volunteering at BPMA.

50th Annual Postman’s Walk

This Saturday, staff from the BPMA participated in this year’s Postman’s Walk, the 50th annual walk since 1962.

The walk is open to postmen and women across the country, and 80 people participated including teams from York, Isle of Man, Edinburgh and London. It is a speed walking competition – strictly no running allowed, with officials around the circuit to ensure no cheating! The event is a very inclusive one, with all types of participants – from national and international standard athletes to the more novice, such as myself.

Some of the competitors get ready.

Some of the competitors get ready.

In the past, the route was around the City of London, the heart of the GPO but has now moved to a one mile circuit around Coram’s Fields.

All participants must wear uniform -previously postmen had to wear full uniform with no shorts, and carry a sack. As you may see from the photographs, these rules have been relaxed in more recent years. Not wanting to flout the uniform rules, myself and Andy Richmond from the BPMA wore historic styled postal uniforms from the handling collection. Whilst they made us very smart to look at, unfortunately they were not designed with exertion in mind, and did mean we got a little hot under the collar – and the brim – whilst attempting to keep up with the rest of the walkers. As a woman, I had a short walk of 3 miles, which I achieved in 40 minutes and 10 seconds. Andy however had a 6 mile circuit which took him 82 minutes. Compared to most other times achieved by the participants, ours look a little poor – although I am tempted to blame the three piece wool suit, top hat, and leather brogues for that!

Andy and Vyki on the walk.

Andy and Vyki on the walk.

It was a most enjoyable day, and we were delighted to participate and meet postal staff from around the country. Our uniform definitely caused a bit of interest, and we ended up posing for a lot of group photos. We also conducted some snap-shot collecting, collecting a 50th anniversary trophy for the collection, photographs of the event, and short oral history recordings. Together these add richness to our existing collections of sporting trophies, and will we hope prove of interest for future generations. We met a number of very interesting people who helped shape the social and sporting life of the GPO over the last few decades, and we plan to follow that up with more in-depth interviews in the future.

Some of the female competitors with Vyki.

Some of the female competitors with Vyki.

We had heard that this would be the last postman’s walk due to funding reductions, but were delighted to find out on the day that the 51st walk has now been planned for September next year. I hope to participate again next year, and improve my time – if not my attire.

Ray Middleton with Andy and Vyki.

Ray Middleton, winner of the 1st Postman's Walk, with Andy and Vyki.

See more photos from the event on Twitter.

– Vyki Sparkes, Assistant Curator

Postmen caricatures

Each month we present an item from the Morten Collection on this blog. The Morten Collection is a nationally important postal history collection currently held at Bruce Castle, Tottenham.

As part of a Heritage Lottery Funded project, Pistols, Packets and Postmen, the BPMA, Bruce Castle Museum and the Communication Workers Union (the owner of the Collection) have been working together to widen access to and develop educational resources for the Morten Collection.

This month, Haringey resident Ken Gay chooses some caricatures showing postmen in uniform. Ken’s father worked as a postman in Stratford where the family then lived and these caricatures remind Ken of his father:

My father was born in 1888 and left school at 14 to work as a post office messenger boy in Whitechapel. He became a postman, mostly serving at Stratford E15 office. His brother, my uncle George, worked as a postman at Forest Gate E7 office. Born in 1923, I grew up in a post office family. My father wore a dark blue issue uniform with a red stripe along the sides of his trousers. He wore a helmet called a ‘shako’, a sort of peaked helmet. (I later learnt it was based on a Hungarian military helmet). In about 1936 the post office replaced these by a peaked cap. These smart uniforms seem to have vanished.

Caricatures of postmen from the Morten Collection

Caricatures of postmen from the Morten Collection

My father delivered letters in his round, or ‘walk’ from a white canvas sack he carried over his shoulder. Sometimes he brought one home empty after his work was finished. He worked shifts and at one time did an evening delivery, getting home about two in the afternoon. I came home from school after four and often found him asleep in his armchair. But this did not stop me waking him to ask for sixpence to go to the cinema with.

As an undergraduate I worked for two Christmases at my father’s Stratford office, working as a van boy on a hired vehicle delivering seasonal parcels. My son in his turn did this Christmas temporary work when he was a student, at Wood Green N22. So the family tradition has been kept up.

New records available on the online catalogue

Further records were added to our online catalogue last Friday, bringing the amount of searchable records available to over 90,000.

Records added to the catalogue include:

KEVIII 3d postage due labels, registration sheet, imperforate, 1937

KEVIII 3d postage due labels, registration sheet, imperforate, 1937 (POST 150/KEVIII/PL/1160)

A fleet of commercial vans in the yard at King Edward Building, 1931

A fleet of commercial vans in the yard at King Edward Building, 1931 (POST 118/5089)

A Scammell mail van, 1956 (POST 118/5239)

A Scammell mail van, 1956 (POST 118/5239)

Search the catalogue at http://catalogue.postalheritage.org.uk/

Postal Uniforms: 1855

by Claire McHugh, Cataloguer (Collections)

To continue from my last blog on early postal uniforms, the adoption in 1840 of a Uniform Penny Post and other related reforms initiated by Rowland Hill encouraged the development of the Post Office; this growth was reflected in the increasing workforce and the amount of uniform needing to be issued. In 1851 it was estimated the amount of individuals being supplied with post office uniforms had risen to about 1,700.

Parisian postman circa 1850

Parisian postman circa 1850

1855 marked the replacement of the previous cut-away tail coat by a skirted scarlet frock coat. The wearer’s identification number was no longer on the buttons but had now transferred to being worn on the collar, while the beaver hat was replaced by a glazed hat modelled on one used by the Parisian postmen.

Though scepticism over its practicality was present from the start, even from those involved with its production; a contemporary English contractor suggested that the hat would probably not be very comfortable to wear owing to ‘its lack of resiliency’, even being quite impractical due to ‘its attraction [sic] the rays of the sun; in cold weather the japann becomes so brittle that the least pressure or fall would cause it to crack’.

Nevertheless, the counter plea won with the response that what was satisfactory in France should prove satisfactory in Britain. The vogue for this hat soon waned as the predicted problems became apparent; in 1859 the glazed hat was superseded by a hard felt hat, which later was replaced by the single-peaked shako.

A letter carrier in the new uniform, The Illustrated Glasgow News, 30 June 1855

A letter carrier in the new uniform, The Illustrated Glasgow News, 30 June 1855

Other additions to the uniform included the issuing of a waterproof tippet (cape) to protect the easily soiled coat. But most importantly the outfit included grey trousers – the letter carriers no longer had to wear their own much maligned, tattered and unmatching trousers. This resulted in a much neater appearance which saved the letter carriers blushes – and if a letter from the wives of postmen addressing the Queen with the request that their husbands be given trousers is to be believed, their wives too (POST 92/1144).

Reaction to the new uniform was mixed; on the one hand it was admired for its smarter more coherent look, contemporary newspapers even going as far to say that ‘The unmarried portion of the corps will now have so many admirers that doors will open spontaneously, knockers will rust on their hinges, and bells will only be rung to celebrate the merry peal and the utter extinction of bachelors in red habiliments. We have heard that all the domestic servants are now in a flutter of excitement when the double knock is heard.’ (The Illustrated Glasgow News, 30 June 1855).

'The Postman's Knock' - Colour lithographic song sheet. c.1860

'The Postman's Knock' - Colour lithographic song sheet. c.1860

But on the other hand there was criticism of the new outfit. Punch (1855) found the uniform to ‘glaring’ and ‘more fitted for the Fire Brigade’ and couldn’t ‘comprehend the taste which has pinned a large pair of scarlet skirts to the coat of the postman, and caused us to mistake him for a sentinel off his post, by his resemblance to a Foot Guardsman’. This criticism of the military aspect of the frock coat design can be seen in others derisive comments, for example one paper questions whether ‘the coats or the [scarlet] cloth at least, must have been cabbaged from the Crimea.’

Regardless of the criticism, 1855 can be regarded as the first collective post office uniform that created a smart and more coherent look for the Post Office, as it successfully brought the London District and the General Post letter carriers (who up until then had worn separate uniforms) into line, as both classes now appeared in the same scarlet uniform. Over the next few years this issue gradually spread to the provinces until the next significant uniform change in 1861.

Postal uniforms: the early years

by Claire McHugh, Cataloguer (Collections) 

The post office uniform is one of the most easily recognised uniforms worn in the UK as well as being one of the Post Office’s most familiar symbols. As part of my cataloguing of the uniform collection I will provide a brief series of blogs charting the evolution of the postal uniform into what we see today.

Etching: 'Postiglione Inglese', 1772 (2009-0021)

Etching: 'Postiglione Inglese', 1772 (2009-0021)

The earliest reference to a specific dress for postal workers dress dates from 1590, when it is recorded that the Council of Aberdeen ordered a livery of blue cloth with armorial bearing of the town worked in silver on his right sleeve for ‘the post’ carrier (Green Paper 27). But it wasn’t until 1728 when there is mention of a General Post Office item of uniform. In 1728, Joseph Godman (Secretary of the General Post Office) ordered ‘that every letter carrier…shall, as a badge of his employment, wear a brass ticket upon some (the most visible) part of his clothing, with the King’s Arms upon it’ while on duty (St Martin’s le Grand, The Post Office Magazine ,1909).

The first post office employees to be issued with actual uniform were the Mail Coach Guards who, from 1784 wore a scarlet coat with blue lapels and a black top hat with gold band. Also issued were a brace of pistols, a blunderbuss, a cutlass, a post horn and a time piece. Bar the obvious arming of the guard, it was thought that the association of scarlet with military red (which itself was fast becoming a national symbol), coupled with the military styling of the uniform and the hiring of ex-soldiers would deter robbers who had become a great problem on many of the main roads.

Detail of the colour engraving 'West Country Mails at the Gloucester Coffee House, Piccadilly', 1828 (2009-0080). Note the similarity of the coach men’s uniform with the military gentleman to the bottom left of the picture.

Detail of the colour engraving 'West Country Mails at the Gloucester Coffee House, Piccadilly', 1828 (2009-0080). Note the similarity of the coach men’s uniform with the military gentleman to the bottom left of the picture.

1792 marked the beginning of discussions on whether London letter carriers should be supplied with a uniform. The Secretary of the Post Office was sceptical, arguing that the expense of clothing the carriers would outweigh any benefits. But eventually it was decided that an introduction of a uniform would have the benefit of easily identify the wearer, therefore deterring them from entering taverns, pawn brokers and other such place when on Post Office duties. It would also deter the practise of letter carriers taking unofficial holidays by replacing themselves with strangers. As to be expected, the suggestion of introducing a uniform was not received with enthusiasm by letter carriers who felt it was a reflection on their character as being dishonest and feared they would become an easy walking target for robbery (POST 61/1).

London letter carrier’s uniform c.1818 (2004-0199).

London letter carrier’s uniform c.1818 (2004-0199).

In 1793 London letter carriers were issued with a uniform that comprised of a beaver hat with a gold band and cockade, a blue cloth waistcoat and a cut away scarlet coat lined with blue calico which had blue lapels and cuffs; the coat fastened with brass buttons on which were inscribed the wearer’s number. The cost of this initial issue of uniforms was roughly £600 (about £33,618.00 today). Unusually for the time and with respect to the amount of uniform being prepared, the uniform was not actually made by army uniform manufacturers but by civilian tailors.

Originally, the uniform was intended to be issued on Queen Charlotte’s birthday (19th May) but the uniforms weren’t ready in time and the issue was delayed until the autumn because the ton would have left London by the summer and the letter carriers would have dirtied their uniform by the time they had returned to town in autumn.

Though this watercolour dates from 1890 it provides a nostalgic image of the twopenny postage letter carrier (2004-0173).

Though this watercolour dates from 1890 it provides a nostalgic image of the twopenny postage letter carrier (2004-0173).

The trickle down of uniforms beyond London was a slow process. It wasn’t until 1834 that letter carriers in principal provincial cities were issued with uniforms. Three years later the uniform allowance was extended to incorporate London’s twopenny post letter carries. The twopenny post marked a slight variation in the uniform, in that its main colour scheme consisted of blue with scarlet trimmings rather than scarlet with blue trimmings. Consequently a twopenny post letter carrier’s uniform consisted of a blue cut-away coat with a scarlet collar, a blue waistcoat and the obligatory beaver hat, with gold band and cockade.

Detail of a satirical Mulready envelope showing the jibes towards the trouser-less letter carrier

Woman: Goodness! Mr Doubleknokk. Won’t you get cold in your stomach, going naked like that? Letter carrier: O no mum! It’s the government dress. Hat, coat & waistcoat & no trousers. - Detail of a satirical Mulready envelope showing the jibes towards the trouser-less letter carrier (POST 118/1039).

It should be mentioned in all of these descriptions there are no mention of the supply of trousers to the letter carriers. This is because the employee was expected to supply these themselves. So often there was a juxtaposition between the smartness of the uniform coat with the frayed condition of the wearer’s trousers. Humorists were quick to seize upon this idea of the absence of trousers from the uniform issue by often depicting letter carriers dressed in a chemise, or wearing no trousers at all. The introduction of trousers would not appear in the issued uniform until the mid 19th century.

Civil Uniform Collection

by Claire McHugh, Cataloguer (Collections)

Searching the online catalogue you may have noticed an omission from The British Postal Museum & Archive’s collection; uniforms. This absence doesn’t mean The BPMA doesn’t hold such material; indeed we have about 1000 items such as ties, protective clothing, waistcoats, jackets, skirts and trousers to name but a few items.

A Postwoman's overcoat, 1918. The coat is dark blue with red detailing on the edges, gold buttons and T5 in gold on the collar.

Close up of Postwoman’s overcoat, 1918. This is an example of the first standard uniform for Postwomen. Before WW1 postwomen had only been supplied with waterproofs.

To rectify this, a project has recently begun to bring The BPMA’s uniform catalogue records up to date and review the collection with regard to our museum collection review policy and facilitate the decision as to what is to be accessioned (the formal, legal process of accepting an object into a museum collection) permanently into the collection. Once accessioned, the uniform records can then be uploaded onto the online catalogue.

While cataloguing the collection, photographic images of the vast majority of the collection have been created. This means digital images (such as the ones illustrating this blog) can accompany the online catalogue record making the collection more accessible to the public.

Postman’s long-sleeved waistcoat, 1908. The waistcoat is black with gold buttons. The sleeves are dark grey.

Postman’s long-sleeved waistcoat, 1908.

So far the project has unearthed a number of intriguing items including a Tangier postman’s uniform dated 1905-1914, Ministry of Civil Aviation uniforms and early experiments in acid resistant material. It has also unearthed what appears to be one of the earliest garments in the collection, a frock coat from the 1860s.

A red Mail guard's frock coat, with gold trim and buttons, and black collar, cuffs and pocket flaps.

Mail guard’s frock coat introduced as part of the new range of uniform of 1861. It retains Dr Merritt’s medical gussets for ventilation.

1861 marked the introduction of a new uniform for letter-carriers, mail-guards and drivers designed by the army contractors Tait Brothers & Co. These new uniform marked the change from red being the dominant colour in letter carriers uniform to dark blue.

Letter carriers uniform now consisted of a blue frock coat with a scarlet collar, cuffs, and facings with initials G.P.O. and wearer’s number underneath being embroidered in white on each sided. The waistcoat was made to match the coat in colour, facings, and buttons. The mail-driver’s frock coat was similar to the letter carrier’s, with the exception of a gold-lace trimming and gold-embroidered initials. The mail-guard’s coat retained the use of the fine scarlet cloth and is a double breasted frock, richly braided with gold lace; and the collar is blue with the initials G.P.O. embroidered in gold on each side. All the garments were fitted with the intriguingly titled Dr. Merritt’s medical gussets for ventilation.

Black and white engraving of three men wearing the new uniforms for letter-carriers, mail-drivers and guards

Illustration of the new uniform designed by Tait Brothers & Co for letter-carriers, mail-drivers and guards from The Illustrated London News, 29 December 1860 (POST 111/99).

This blog marks only the beginning of the project, but it is hoped that the resulting online collection will form an invaluable resource for researchers interested in the histories of civil service uniforms, postal history, buttons, gender and a host of other areas.