During the past two years our Community Learning Officer, Hannah Clipson, has been developing our audiences in the run-up to opening The Postal Museum. Through engaging new groups we have been able to interpret our collection in new and exciting ways. We have created strong and sustainable bonds with formally under-represented groups who now see us and objects as relevant and of interest. In this post, Hannah shares what she has been up to with the Amies, a group of ten women who are survivors of trafficking.
Established in July 2014, delivered in collaboration with the October Gallery and supported by the Heritage Lottery Fund, we engaged with the Amies over a 12 week period. The 10 ladies were originally brought together by PAN Arts, a London-based arts company, and The Poppy Project. This summer we built upon this project, working with the Amies and partnering with the October Gallery, The Mary Ward Centre and The Calthorpe Project. However, this time, we looked at postal uniforms throughout the ages, and used them as inspiration to make our own textile items. Through a series of images, we’ll share what we have been up to.
We started off the project looking at the various bags that have been used by postal workers over the centuries. Inspired by the telegram messenger bags, we made our own versions to practice simple sewing skills.
Leather pouches made by the women, inspired by the telegram messenger bags
We developed our sewing skills at the Mary Ward Centre through making a bag with a zip using sewing machines. This got the whole group ready to tackle making a skirt, inspired by the post women’s uniform during the First World War. To make the skirt, we explored images from the collection and experimented with patterns, and had a fabric printed containing our favourite images.
One of the women cuts her stamp designed material to make her bag
One of the women making her bag on the sewing machine
The group look at images from our collection to inspire our skirt fabric
One of the women shows us her ideas for a pattern
One of the women works on sewing her skirt
One of the fabrics we had digitally printed
Being able to build upon this project and working with these women has been an absolute joy. Seeing the women grow in confidence and help each other to learn new skills (both textile and life skills) whilst using our collection as a platform has been hugely worthwhile and humbling. Partnering with the October Gallery and The Mary Ward Centre has also enabled us to learn new skills from peers; invaluable as we continue to move forward developing our audiences for The Postal Museum. Next steps include planning our next project with the women at The Postal Museum and developing our first community inspired exhibition at our archive in Freeling House. Watch this space!
-Hannah Clipson, Community Learning Officer
This project is supported by the Heritage Lottery Fund.
Posted in Learning
Tagged Amies, arts & crafts, audience development, clothing, community, Community Learning, Dear Amies, design, fabric, First World War, Heritage Lottery Fund, HLF, learning, October gallery, outreach, PAN Arts, postal uniforms, sewing, telegram messenger boy, textile, The Calthorpe Project, The Mary War Centre, The Poppy Project, trafficked, uniforms, unique, women
At the BPMA we regularly work with local community groups, engaging them with our collection and listening to their stories. The outcome is always rewarding, but sometimes the way these groups interpret our collections is truly heart-warming. The BPMA Community Learning Officer, Hannah Clipson, tells us about her experience working with a group of 10 trafficked women known as the Amies.
During the summer of 2014 I spent 12 weeks working with the Amies on a project run in partnership with the October Gallery to investigate the design history of the postal service. These women are of diverse nationalities and ages; brought together by PAN Arts, a London based Arts Company, and The Poppy Project, an organisation providing support, advocacy and accommodation for trafficked women, and as such had a wide range of experiences and outlooks.
Over the course of the 12 weeks we looked at the changing uniforms of postal workers, the process of stamp design, the poster collection and mail art.
Examples of mail art from the BPMA collections
Inspired by their own experiences and the objects and stories explored in the BPMA collections, the group responded in creative ways, guided by the artist Ella Phillips from October Gallery. We designed our own stamp artwork, sent our own mail art through the post and they sent letters to family and friends, some examples of which you can see below. In addition, each participant had their own sketch book that they could add to during the workshops and in their own time.
Some of the work created by the Amies
Dear Amie exceeded our expectations; not only did it facilitate a range of positive outcomes for the participants but it also proved invaluable to the BPMA. One of the participants described her pride in having created positive experiences and a new life for herself and there was an eagerness to develop a second phase of the project in 2015. For this the women decided they’d like to create a textile output which will be displayed in our brand new Postal Museum, due to open in 2016.
One of the Amies design for a stamp showing things important to her
For the BPMA we learned some extremely valuable lessons and gained some remarkable stories of what the postal service means to different people. The level of engagement showed us the true potential of our collection and the diverse ways in which it can be used to inspire a wide range of audiences. The postal theme resonated with the women in a way that we could not have imagined. For most of them, sending a letter to loved ones had been a lifeline through extremely difficult circumstances. Recollection of these memories, stimulated through the exploration of BPMA material, led to a fascinating and unexpected reinterpretation of some of our objects and the discovery of some truly remarkable, personal stories. It reinforced to us that our collection can be interpreted in meaningful, personal ways and act as a catalyst to uncovering touching stories such as those of the Amies.
Posted in BPMA, Collection, Mail Art
Tagged Amies, BPMA, design, local commu, mail art, museums, October gallery, PAN Arts, The Poppy Project, The Postal Museum