Sending special letters for Valentine’s day probably dates from the mid-18th century. We have a number of examples of early Valentines in our collection. The idea of choosing a sweetheart on Valentine’s Day may be connected with the idea that 14 February is the date on which birds began mating.
A Valentine’s day featuring an image of a bird.
The name of the day has also been linked to a Christian martyr named Valentine who signed a letter to his jailer’s daughter, with whom he had fallen in love, “from your Valentine.” It was even believed in the eighteenth century that the festival had developed from the Roman Lupercalia (15 February), which celebrated the coming of spring and included fertility rites and the pairing off of women with men by lottery.
A spiteful valentine from c.1814 sent to Thomas Williams Esq., No. 41 Berkley Sqaure. The last line of the verse reads ‘if all men, were like thee – then, I’d sooner die than marry’.
Not all valentines were declarations of love however. We have letters in BPMA’s collection complaining about the sending of insulting and rude Valentines and more particularly about having to pay for them. This is because prior to 1840 and the introduction of uniform penny postage, letters were paid for by the recipient rather than the sender. As such, on Valentine’s day some people with a particular grudge or spite against someone would, anonymously, send rude or grotesque valentines which the receiver would then have to pay for, really adding insult to injury. These have become colloquially known as spiteful or ‘vinegar valentines’. Complaints were made to postmasters requesting refunds for such vinegar valentines.
Poster showing the consequences of missorting, especially on Valentine’s Day
As a variation of this, one of our acquisitions for the museum collection in the past year was a coloured print of a postman delivering letters on Valentine’s Day. Although of a much later date this print shows how the public didn’t always trust the Post Office to deliver their valentines in a prompt and appropriate manner, and postmen were certainly not viewed as potential valentines themselves.
A spiteful/vinegar/comic Valentine or Penny Dreadful.
We hope you all receive nicer Valentines than these!
–Emma Harper, Curator
Posted in Collection
Tagged 18th century, bird, Lupercalia, post, postcard, poster art, postmen, st valentines, valentine card, Valentine's Day, Victorian, vinegar
A few weeks ago we were very fortunate to have a visit from someone wishing to donate a group of material to the BPMA museum collection. The group of material related to a Thomas William Ernest May, the donor’s father. We have subsequently been able to trace something of his Post office service through the Archive records. May joined the Post Office in 1910 as an Assistant Postman and just a couple of years later, in 1913, was appointed as a Sorter at North District Office in Islington, very quickly transferring back to his old role as postman but at the North West District Office. Just one year later with the outbreak of the Great War as it was known, Thomas, like many other Post Office workers, joined the 8th Battalion London Regiment known as The Post Office Rifles at the age of 20. He later returned to work at the Post Office, rising to the rank of Assistant Superintendent by the time of his death in 1953.
The objects donated to the BPMA relate both to May’s time in France with the Post Office Rifles as well as his Post Office work. Amongst these are several very personal objects, including a green leather bound pocket journal given to May before he embarked for France in 1915. It includes a map of Flanders, various helpful French and German phrases, a calendar for 1915 and different methods of working out your position in day and night: all to aid the soldier should he get lost or separated from his battalion. The journal itself is written by Thomas in pencil and covers his posting to France as well as his thoughts and feelings in the midst of campaigns on the front line. We are hoping to work on a project to scan and transcribe this journal to chart May’s time during the war, so do look out for that on this blog in the coming years, as well as many other items relating to the Centenary of the Great War.
Journal given to Private Thomas May before leaving to fight in France with the Post Office Rifles.
There are also photographs of May with other members of the Post Office Rifles, both in official uniformed shots as well as more informal photos of them with their brooms and rifles. May received the 1914-1915 Star Medal and the British War Medal, both campaign medals routinely given to those who served and they are also included within the collection as is the slightly more unusual Silver War Badge. The Silver War Badge was given to soldiers who had to return from the war due to injuries, the badge states ‘FOR KING AND EMPIRE SERVICES RENDERED’. It was to be worn on civilian clothing and was proof that they had been honourably discharged and meant they could avoid being given a white feather for supposedly shirking their duty.
Photograph of Sergeant Thomas May.
As previously mentioned, May returned work at the Post Office following his experiences in the war and the final object of this blog dates from 14 March 1929 when he was still at the North District Office. It is a large hand-illustrated card in the form of a postcard and shows a man pushing a child in a pram on the front in a street scene with a cinema and dancing hall in the background. The caption reads ‘You will have to cut all that out now! Daddy’ and features ‘Hearty Congratulations and Best Wishes from NDO’ on the birth of his daughter, who has now generously donated these objects to BPMA.
Illustrated card sent to Thomas May by colleagues at NDO on the birth of his daughter.
This is such a wonderful group of personal items relating to Thomas Ernest William May and we are very grateful to his daughter for donating them so that Thomas’ story can be added to the others told through our collection.
– Emma Harper, Curator (Move Planning)
Posted in Collection
Tagged Collection, curator, diary, First World War, Great War, greetings cards, journal, museum, North District Office, Post Office, Post Office Rifles, postcard, Thomas May, World War I, WW1, WWI
The BPMA is the custodian of a photographic collection which includes about 100,000 individual photographs; the earliest is from the late 19th century and the latest ones date from the 1990s. In a previous blog on our photography collection and a talk now available as a podcast we have presented some of this fascinating material and the stories behind it, and our exhibition The Post Office in Pictures features some of the most striking images.
The GPO Britain postcard set.
The photographs depict life in Britain at the time of the General Post Office (GPO) with its contrasts between modern urban areas and the industrial heartland, and the remote rural regions where the postman or postwoman presented a vital connection to the outside world. We have selected six of the most intriguing images for a new postcard set which is now available from the BPMA Shop.
Man posting a letter holding a cauliflower, 1949. (POST 118/1964)
Many of these photographs have been published in the Post Office Magazine (POST 92), which was first issued in 1934 in order to promote postal services and good relations with the public, aimed at the large postal workforce, their families and friends. The articles often presented the modernity and efficiency of the GPO’s services, such as the Post Office Savings Bank – “Everybody’s Bank” with ten million accounts, according to the author of an article in the September 1935 issue. The story on the bank, which holds “the small savings of ordinary not-very-wealthy folk in the hamlets and towns and cities of Britain”, is accompanied by several images of banking clerks entering the 120,000 daily transactions in the newly adopted accounting machines. The clerks’ efficiency in dealing with the amount of correspondence and day to day business clearly impressed the author – he dubs them ‘super clerks’.
A female clerk at the Post Office Savings Bank, on the cover of the Post Office Magazine September 1935. (POST 92)
Other sections of the magazines were regularly dedicated to news from the different UK regions. These focussed on the local postal staff and their achievements, activities and work in their local community, which, to today’s readers, provides some authentic insights into rural British communities in the 1930s and 1940s. The October 1938 Northern Ireland section, for example, features the image of a postman with a pony and trap on a rural road: “The Glenarm Bay postman goes on his delivery in a trap presented to him by local residents” (POST 118/903).
Postman with pony and trap in Northern Ireland, 1938. (POST 118/903)
Other issues show postmen wading through rivers on horseback (January 1939) to reach the next village or town, or recount the peculiar history of whale bones decorating the post office exterior at Cley-next-the-Sea (March 1938).
Postman on horseback near Withypool, Somerset, 1938. (POST 118/910)
Main Strain in Cley, Norfolk, 1937. (POST 118/1204)
The GPO Britain postcard set is now available from the BPMA Shop for £3.75.
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Posted in Archive, Postal History, Shop
Tagged Britain, clerks, Cley-next-the-Sea, General Post Office, Glenarm Bay, GPO, GPO Photographic Unit, Great Britain, Norfolk, Northern Ireland, nostalgia, photographs, photography, photos, Post Office Magazine, Post Office Savings Bank, postcard, postcards, postman, rural life, rural postman, Somerset, UK, United Kingdom, village, vintage, Withypool
In December 2011, as some of you may remember, BPMA and the BBC produced a collaborative radio series entitled the People’s Post. One episode of that series focussed on the culture of letter writing. Ever since this episode I have been intrigued by this subject and the many different forms letters have taken, particularly in the 19th and early 20th Century. As a result I decided to delve into the BPMA collection to see whether a culture of letter writing was reflected in the objects and files in the collection.
On Thursday 20th June at 7pm I’ll be giving a talk in which I use objects from our collection as a basis to explore how postal reform helped the development of this culture of letter writing and sharing some of the weird and wonderful things I’ve discovered.
Postcard sent in 1914. (OB1997.35)
Some of the broader themes I’ll be looking at are the introduction of the penny post, the development of envelopes and postcards, as well as the sending of cards for special occasions such as Christmas. I am by no means a postal historian and this is much more an introduction to some of the main changes in the 19th Century postal system and how these are reflected in the objects I’ve found within the BPMA’s collection and the social history they tell.
Embroidered card with an embossed Christmas border. (OB1995.162/24)
These objects range from various Curious Addresses – the name given to envelopes where the address is presented in a different format such as a poem or a picture; Lewis Carroll’s Wonderland Postage Stamp Case; the Express Delivery form used by suffragettes to post themselves as ‘human letters‘ and an account of a kitten being sent through the post as well as numerous postcards and letters.
‘Wonderland’ postage stamp case, exterior – printed with chromolithographic images, 1889. (OB1995.415/1)
Come along to the Phoenix Centre, London, on Thursday 20th June at 7pm to find out more…
– Emma Harper, Curator
See images from the Curious Culture of Letter Writing on Flickr.
Posted in Archive, Collection, Events, Postal History
Tagged Christmas cards, covers, curious address, curious addresses, envelopes, event, human letters, letter writing, letters, Lewis Carroll, postcard, postcards, suffrage, suffragette, suffragettes, talk, The Wonderland Postage-Stamp Case