Tag Archives: stamp artwork

Stamps Celebrate British Sporting Legends

The 16th of July 2015 will mark 60 years since legendary British racing car driver Stirling Moss won his first Grand Prix at Aintree, becoming the first British man to win on home turf. With this month’s British Grand Prix at Silverstone and Andy Murray’s efforts at Wimbledon I thought we could take a moment to look at the stamps that celebrate our sporting men and woman.

As an avid Formula 1 fan (“Come on Jenson!!”) we can’t forget the developments of F1 and the dangers those earliest drivers put themselves under. The 2007 Grand Prix Racing Car stamps depict Stirling in his 2.5L Vanwall, which when compared to the modern day Mercedes has very little protection for the driver. He paved the way for British racing car drivers and now the World Championship has been won by a British man 15 times.

Grand Prix 2007 Stirling Moss - 1st NVI

Grand Prix 2007 Stirling Moss – 1st NVI

Mercedes F1 W06 Hybrid 2015

Mercedes F1 W06 Hybrid 2015

In 2012 Britain was lucky enough to host The Olympic and Paralympic Games showcasing the talents of British sportsmen and women. I myself was glued to the TV, watching sports I’d never seen before but was fascinated by the skill of the professionals. As a country we were able to boast a total of 65 Olympic medals and 120 Paralympic medals. The Gold Medal Winner stamps from 2012 celebrate the achievements of these individuals/teams and act as symbols of national pride.

Team GB Gold Medal Winners 2012 Bradley Wiggins - 1st NVI

Team GB Gold Medal Winners 2012 Bradley Wiggins – 1st NVI

Paralympics Team GB Gold Medal Winners Ellie Simmonds 2012 - 1st NVI

Paralympics Team GB Gold Medal Winners Ellie Simmonds 2012 – 1st NVI

Stirling Moss may have been the first to win a race on home soil but Andy Murray in 2013 conquered Wimbledon after a 77 year gap since the last Brit had managed it. Fred Perry won that tournament in 1936 and since then it has been dominated by the likes of; Björn Borg, Pete Sampras and Roger Federer. It was electric watching the winning point followed by the triumphant celebrations across the court and the surrounding grounds. As a celebration of his achievements four 1st class stamps were produced of Murray at Wimbledon

Andy Murray - Gentlemen's Singles Champion Wimbledon 2013 - 1st NVI

Andy Murray – Gentlemen’s Singles Champion Wimbledon 2013 – 1st NVI

It is not only individual sporting achievement that is recognized on our postage stamps but also national teams. Miniature sheets were produced when England won the Rugby World Cup in 2003 and when the England Cricketers took home the Ashes in 2005. These products hopefully inspire young children to follow in their footsteps.

England's Victory in Rugby World Cup Championship, Australia 2003 Miniature Sheet

England’s Victory in Rugby World Cup Championship, Australia 2003 Miniature Sheet

England's Ashes Victory 2005 Miniature Sheet

England’s Ashes Victory 2005 Miniature Sheet

Depicting sports men and woman on stamps not only celebrates their achievement but becomes a historical record. These products will be collected and remembered for years to come. It also highlights that people from all walks of life can appear on stamps, it is not their heritage but there contribution to national achievement that is commemorated. 

– Georgina Tomlinson Philatelic Assistant

Delivery by Design: Stamps in Antarctica at The Polar Museum, Cambridge

With a population of just 250, The British Antarctic Territory, which covers 660,000 square miles of Antarctica from offshore islands to the South Pole itself, doesn’t necessarily seem like somewhere that the postal service would need to operate. But, despite the low number of permanent residents, the Territory issues both its own postage stamps and coins and even has an Antarctic Postman, based in Port Stanley on the Falkland Islands, who visits the outlying research bases by ship.

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With such a fascinating story to tell, it’s no surprise that there is now an exhibition devoted to the postage stamps of this remote territory. Last Thursday The Polar Museum in Cambridge launched the captivating Delivery by Design: Stamps in Antarctica exhibition. With the assistance of the Foreign and Commonwealth Office and the Scott Polar Research Institute the exhibition uses stamps, printing proofs and original artworks to shed light on this little known corner of the globe, from native wildlife including Emperor Penguins and Huskies to ships ploughing through ice and planes flying over the frozen sea, commemorating British expeditions to the Antarctic throughout history.

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The exhibition at The Polar Museum is a wonderful example of how stamps are much more than just a means of sending a letter from A to B. They are a window into history giving a snapshot of the social, cultural and design influences of any given period across every region of our planet. With every stamp from the Penny Black to the present day and all stamp artwork, both adopted and unadopted (including from such famous artists as Paul Nash, Terence Cuneo and David Gentleman) in our collections, we know that there are hundreds if not thousands of interesting stories just waiting to be told. It’s great to see exhibitions such as that at The Polar Museum bringing these stories into the public domain and I hope you will take the opportunity to pay it a visit.

Adrian Steel – Director

The exhibition will be running at The Polar Museum, Scott Polar Research Institute, University of Cambridge until 6 September 2014. Entry is free and the museum is open 10-4 Tuesday to Saturday. www.spri.cam.ac.uk/museum

Auditing the Stamp Artwork Collection

The Philatelic team is busy auditing the BPMA’s post 1985 stamp artwork collection, in preparation for its move to a new storage facility. 

We are half way through checking the location and housing conditions of approximately 12,000 pieces of adopted and unadopted artwork. Every piece of artwork must be packed safely to prevent damage during transit and location control must be maintained so that nothing is lost.

An unadopted design by Ralph Steadman for Appearance of Halley’s Comet, 1986.

An unadopted design by Ralph Steadman for Appearance of Halley’s Comet, 1986.

The collection, which includes pieces by David Gentleman, Quentin Blake and David Hockney, comprises artwork across a range of forms and sizes including photographs, paintings, drawings, transparencies, digital images and plaster casts.

The stamp artwork collection is diverse in its subject matter and style, and it is intriguing to see how different artists have tackled the same subject. The proposed designs for the Appearance of Halley’s Comet issue, for example,  include scientific illustrations; images of the comet passing over earth in 684, 1066, 1301 and 1910; and bold, cartoon style artwork by Ralph Steadman – four designs of which were chosen for the 1986 issue. One can imagine the debates behind the final selection.

Boxes of stamp artwork in storage at Christie’s.

Boxes of stamp artwork in storage at Christie’s.

Our new home at Calthorpe House will allow us to showcase this fascinating design history resource, which, as yet, has been largely unseen by the public.

– Joanna Espin, Philatelic Assistant

New on the online catalogue

Last week we did one of our periodic uploads of new material onto the online catalogue. More than 2,000 records went on this time.

New to the catalogue is the ‘REPS deposit’. This was a large collection of records on the Royal Engineers Postal Section (REPS) and the Army Postal Service. The material dated from the 1900s to the 1980s, but it was particularly rich in information on the Army Postal Service at home and overseas during and after the Second World War.

The REPS deposit was indexed in the early 1980s by Major J G Long (retired), then archivist of the REPCS Officers’ Association. Long was commissioned c.1980 to write a history of the REPS. The project was later abandoned, and Long resigned the archivist post in 1982. He deposited his research notes and the archives at the Home Postal and Courier Communications Depot, Inglis Barracks, Mill Hill, and that’s where the trail ends. If anyone reading this knows any more about Major Long and his work, we would love to hear from you!

Social Reformers Issue 1976 – David Gentleman (QEII/119/33)

Social Reformers Issue 1976 – David Gentleman (QEII/119/33)

The REPS deposit was catalogued in January and February 2014 by Matt Tantony, our former Project Archivist. The deposit was split between three main areas of the catalogue. Public records on the Army Postal Service have been catalogued in POST 47. Records on the GPO’s actions in wartime are in POST 56. The remainder of the deposit is mostly non-public records, including Major Long’s own research notes, military publications, and reunion dinner plans. These archives are not strictly postal in relevance but will be of interest to anyone studying the history of the REPS as a military unit. They’ve been catalogued as a separate ‘REPS collection’.

Our cataloguing archivist Anna Flood was responsible among other work for plenty more POST 72 (Post Office Headquarters files) going on, completing the catalogue for this large class.

Some small quantities of POST 22 (Counters), 63 (Staff Training) and 68 (Rules and Instructions) also went on. Additionally several sub-series from POST 153 (Mails Division) and 157 (Postal Operations Department) were added.

Stamp artwork for eight issues from 1976 Social Reformers to 1977 Silver Jubilee (POST 150) is now on the catalogue.

Racket Sports Issue 1977 – Andrew Restall (QEII/124/06)

Racket Sports Issue 1977 – Andrew Restall (QEII/124/06)

More than 50 museum objects went online. These included a set of self-designed Christmas cards by Martin Norgate from the 1970s to the present day and a World War One card on a piece of khaki, recently acquired by the BPMA.

'B.E.A. XMAS GREETINGS' Khaki Christmas Card (2013-0091)

‘B.E.A. XMAS GREETINGS’ Khaki Christmas Card (2013-0091)

This Christmas card is written on a piece of khaki, possibly from a uniform. Drawn in ink on the front cover is a cross with the words ‘B.E.A. 1915/ XMAS GREETINGS’ inside. Above the cross a thistle is drawn, whilst below the cross is a banner reading ’25 R.F.’.

Front of the card

Front of the card (2013-0091)

Finally a number of amended War Memorials records are now available.

Eagle-eyed users will notice one or two changes to the way data is represented on the online catalogue since this upload. We have switched our date format from YYYY-Mon-DD to the more conventional DD-Mon-YYYY.

Another change is in the way we arrange the archive hierarchically, we have now changed the hierarchical ‘RefNo’ field so that the whole archive now properly nests under the Collection level description for the whole of the Archive . This change has been prompted in main by our exciting plans to revamp our online catalogue. Updates and progress of this are coming soon!

-Gavin McGuffie, Archive Catalogue & Project Manager

2,000 new records on our online catalogue

At the start of October we did one of our periodic uploads of newly catalogued material onto the online catalogue. Over 2,000 new records went online. These include descriptions of files, stamp artwork, microfiche, museum objects and library books, a good number of which will be accompanied by images (with more to go online soon). Below is a brief summary of what has gone on.

Museum objects

These are a combination of items that have been part of the collection for some time but only fully catalogued in the past few years as well as objects newly acquired by the BPMA for its museum collection. Do browse through the records and you will see the huge variety of objects including slogan dies, which one of our volunteers, Cyril Parsons, has been working on editing; more items of uniform such as a Ministry of Civil Aviation coat made by the GPO; a group of material relating to the more modern operations of the Post Office Investigation Department; as well as several other new acquisitions featured in previous blogs, such as the Certifying Seal used by Sir Francis Freeling during his tenure as Secretary of the General Post Office.

Royal Mail Archive: Philatelic

POST 150 QEII Decimal Stamp Artwork for the following issues:

  • QEII 1971 Ulster paintings
  • QEII 1971 Literary Anniversaries
  • QEII 1971 British Anniversaries
  • QEII 1971 University Architecture
  • QEII 1971 Christmas
  • QEII 1972 General Anniversaries
  • QEII 1972 British Polar Explorers
  • QEII 1972 British Architecture, Village Churches
  • QEII 1972 Broadcasting Anniversaries
  • QEII 1972 Royal Silver Wedding
  • QEII 1973 British Trees
  • QEII 1973 European Communities
  • QEII 1973 Artistic Anniversaries
  • QEII 1973 British Explorers
  • QEII 1973 County Cricket
Stamps and first day cover for Modern University Buildings stamp issue, 1971. (QEII 96-35)

Stamps and first day cover for Modern University Buildings stamp issue, 1971. (QEII 96-35)

Royal Mail Archive: non-philatelic

Series and sub-series of records from the following POST classes have gone online:

  • POST 17 (Inland Mails, Organisation, Circulation and Sorting)
  • POST 58 (Staff Nomination and Appointment)
  • POST 59 (Establishment books, entire backlog catalogued)
  • POST 91 (Buildings, Fixtures and Fittings, c.200 from a series of site plans, elevations and sections, floor plans, proposals for renovations on microfiche)
  • POST 108 (Public Relations Department)
  • POST 113 (Information Technology, c.40 reports)
  • POST 151 (Central Headquarters)
  • POST 153 (Mails Division)
  • POST 161 (BBC/Post Office emergency arrangements)
  • POST 162 (Director of Postal Services)

Small numbers of records from individual POST classes have also gone online. Details are listed below:

  • POST 11 (Conveyance of Mail by Railways)
  • POST 22 (Counter Operations and Services)
  • POST 28 (Ancillary Services)
  • POST 61 (Uniforms and Discipline)
  • POST 62 (Staff Welfare)
  • POST 63 (Staff Training)
  • POST 65 (Staff Associations)
  • POST 68 (Rules and Instructions)
  • POST 69 (Board papers)
  • POST 115 (Staff Associations and Union Publications)
  • POST 154 (Marketing Department, postmark slogans sub-series)
  • POST 157 (Postal Operations Department, surface mail services and post minibus sub-series)

As well as staff including myself, Anna Flood, Matt Tantony and Adam Hillhouse, work has also been undertaken by volunteers Claire Wardle and Kim Noulton.

War Memorials

More than 300 new or edited records of war memorials commemorating postal staff who served or died in the world wars.

We hope you will find these records both useful and interesting. Please let us know if you spot any errors. Although we do our very best to ensure records going on are properly and accurately proof read errors do occasionally creep through.

– Gavin McGuffie, Archive Catalogue and Project Manager

Search for all these new records by visiting the online catalogue.

Pre-decimal QEII stamp artwork added to our online catalogue

Recently we made a substantial update to our online catalogue. Some 2,450 QEII pre-decimal stamp artwork items, complete with images, have been added to the database, along with 248 pre-decimal GB commemorative stamp registration sheets. Our online offer now provides full catalogue descriptions and digitised images for all registration sheets from the Penny Black to these most recent additions.

QEII Coronation: Submitted design by Edmund Dulac, 21 August 1952. (QEII/1/020)

QEII Coronation: Submitted design by Edmund Dulac, 21 August 1952. (QEII/1/020)

This phase of the BPMA’s stamp artwork cataloguing and scanning project is the fruition of twelve months work, and follows previous uploads of King George V and King George VI artwork. It allows access to first designs, modified designs, essays, final issued stamps, presentation packs and first day cover designs, showing the design and production process for all QEII stamp issues from beginning to end. Each catalogued artwork item is accompanied by a digital thumbnail image enabling online users to see the artwork itself.

QEII 1966 World Cup: Submitted design by William Kempster, 21 February 1966. (QEII/47/001)

QEII 1966 World Cup: Submitted design by William Kempster, 21 February 1966. (QEII/47/001)

Designs by eminent stamp designers and artists, including Jeffery Matthews, Michael Goaman, Reynolds Stone, Faith Jaques and Andrew Restall are well documented throughout the stamp issues for 1953 to 1970. Among the most prolific are the designs by David Gentleman including the 1965 Churchill Commemoration, 1966 anniversary of the Battle of Hastings, and the 1969 Prince of Wales Investiture.

QEII 1966 Anniversary of Battle of Hastings: Submitted design by David Gentleman, May 1966. (QEII/53/013)

QEII 1966 Anniversary of Battle of Hastings: Submitted design by David Gentleman, May 1966. (QEII/53/013)

The registration sheets which depict the first examples of stamps in full sheet form to be printed off the press, are without perforations and include unique identifiable inscriptions and markings; including cylinder numbers, paper type(s) and information regarding the phosphors used in the production of each stamp. This information, plus more, is included in the comprehensive catalogue entry of each registration sheet, along with a scanned corner section of each sheet.

QEII 1969 Concorde: Submitted design by David Gentleman (Harrison and Sons Ltd), 9 October 1967. (QEII/65/006)

QEII 1969 Concorde: Submitted design by David Gentleman (Harrison and Sons Ltd), 9 October 1967. (QEII/65/006)

The next upload will include pre-decimal Machins, Castle High Values and pre-decimal postage due label registration sheets, meaning that all pre-decimal QEII essays and registration sheets will then be online.

Access the newly available QEII material via the British Stamps section of the BPMA website.

Stamp Collage Art – Open Studio exhibition in May

Hi, I’m Rachel Marwick, and I will be taking part in Stroud Open Studios (Site 13) festival on 11th/12th and 18th/19th May this year. As a stamp collage artist I will be having my studio open to the public on both weekends from 10.30 – 6pm each day and will have original framed stamp collages, prints and cards for sale, but always welcome browsers too as there’s always something to talk about where stamps are concerned! For younger visitors I have also devised a small quiz which will get them searching in my pictures for some of the stamps I’ve used in creating the pictures.

I have been making stamp collages for more than ten years now and one of the questions I often get asked is, “Where do you get all the stamps from?” The answer is that my parents were stamp dealers from the 1950s until my father’s death in 2001 when my mother decided that she could not really continue with the business. Most of the stock had to be sold, but a certain amount I wanted to keep and then inspiration struck and I started to make pictures from the remainder of the stock!

I wondered if serious stamp collectors would be shocked, but I really do try not to use anything which I know to be valuable to a collector, instead using common stamps and postal material, such as backs of postcards and envelopes, postmarks etc. I love incorporating interesting details from stamps to create my pictures, and particularly love searching for people to populate my crowd scenes, such as the pictures of the Colosseum and Leaning Tower of Pisa. I also seem to have become a magnet for stamps as when people see what I do, they often offer me small collections or stamps they have been saving up for whatever reason!

As well as having my own studio open as part of the festival, where more than 90 artists are also opening their own studios, my work will be featured in a Taster Exhibition in Stroud Subscription rooms, and also in a joint exhibition at The Old Passage Inn, Arlingham as part of the Walking the Land Artists exhibition, which is called “Between the Woods and the Water”. The picture below will give you an idea of the use of both stamps and postmarks in my work!

It would be lovely to welcome you to my studio and if you do come along, please mention where you heard about it!

Rachel Marwick
The Lawn, 132 Bisley Road, Stroud, Glos. GL5 1HL
01453 757933
Directions to studio are in the Open Studios Brochure or phone me for further details.

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