Tag Archives: The British Postal Museum & Archive

New Exhibition: Unstitching the Uniform

A new exhibition entitled ‘Unstitching the Uniform’ is now open in our Search Room, inspired by, and including objects from, our recent community project with The Amies.  You may remember our Community Learning Officer, Hannah Clipson, has previously written about our work with this group of ten trafficked women brought together by PAN Arts and The Poppy Project, an organisation providing support, advocacy and accommodation for trafficked women.

During the project, the group investigated the design history of the postal service; a particular favourite focus became the huge variety of ever-changing uniforms worn by postal workers. Inspired by their own experiences and the objects and stories explored, the group responded in creative ways, including sewing their own versions of key uniform items from our collection, and collaborating with the artist Ella Phillips from October Gallery and textiles facilitator Susie Foster. It is this work that formed the inspiration and basis for the ‘Unstitching the Uniform’ exhibition.

The Amies together, © Brendan Foster Photography

The Amies together

From cloth caps to hessian bags, uniform has always been designed for durability, protection and identification and this theme is explored throughout the exhibition using original objects from BPMA’s collection such as caps, badges and telegram pouches. Also featured are those workers who pioneered a change in uniform, from Jean Cameron’s call for postwomen’s trousers to Mr Sant Singh Saneet’s successful campaign for the turban to become an accepted item of headgear.

Female horse and cart drivers, First World War, POST 118

Female horse and cart drivers in uniform, First World War (POST 118)

Alongside the objects and archival images are art installations by Ella Phillips and Susie Foster. Susie has created a jacket and skirt inspired by both the postwoman’s uniform and the design work of The Amies during workshop sessions. Ella charts the progress of The Amies throughout the project, telling some of their remarkable stories. Included on display is a pouch sewn by one of group, similar to one used by a Post Office telegram messenger boy.

Admiring some handiwork

Admiring some handiwork

The Amies at work

The Amies at work

 

 

 

 

 

 

 

 

We do hope you’ll come along to see this exhibition during our opening hours to follow The Amies on their journey, unravelling stories held within our collection, and to see the work that they inspired.

For more information about other amazing social enterprises involving the Amies group, visit www.flowerpress.org.

-Emma Harper, Exhibitions Officer

Newly-catalogued oddities in WW1 postal censorship

During the First World War, the GPO handled mail sent to and from prisoners of war. These included captured soldiers and civilians who had been in the wrong place at the outbreak of hostilities. Before mail reached its recipient, it would be examined by censors on both sides of the conflict.

I’ve just catalogued a set of nearly 40 GPO files from the First World War all about the censorship of mail for POWs. Many of the files deal with really specific problems. Here are two of my favourites:

BREAD DESTRUCTION OUTRAGE:

GPO transcript of a complaint from the Bedford Bread Fund (POST 56/243).

GPO transcript of a complaint from the Bedford Bread Fund (POST 56/243).

POST 56/243 (1916) concerns a series of complaints from the fabulously-named Bedford Bread Fund, a charity that sent parcels of bread to British POWs in German camps. The loaves were being sawn in half by the British censors to inspect them for concealed messages, leaving them entirely inedible by the time they arrived. The file also documents the censors’ trials of loaf-prodding by bone knitting needle. While less invasive, the needles alas broke off inside the loaves.

PENMANSHIP CRITIQUE EFFRONTERY:

The GPO's reply to a complaint about comments on censored mail (POST 56/212).

The GPO’s reply to a complaint about comments on censored mail (POST 56/212).

POST 56/212 (1915) contains complaints forwarded by a countess from her POW husband. A concern was that mail was arriving at the camp with pencilled comments from censors, asking the prisoners to persuade their families to write shorter letters, and to write more neatly. Censors, he said, had no right to express this kind of stylistic criticism. As you can see from the GPO reply (above), the comments were apparently left by the German censors who, after all, had a job to do too.

I love these two files. They seem absurd, and yet they’re perfectly logical and justified under the circumstances. Other favourite cases include an intercepted parcel of construction textbooks sent to a French POW, and a query about whether letters to Russian POWs could be written in the Russian alphabet.

Sorting mail for the troops at the Home Depot, Christmas 1916 (POST 56/6).

Sorting mail for the troops at the Home Depot, Christmas 1916 (POST 56/6).

The censorship records are part of a collection of around 500 files that I’m cataloguing. The files document the Army Postal Service from the 1900s to the 1970s, including both World Wars, and are genuinely global in scope. Much of the material originated from the Royal Engineers Postal Section, a forerunner of today’s Royal Logistic Corps that drew many of its men from GPO staff. All these files will appear on the Archive catalogue in the next few months.

– Matt Tantony, Project Archivist (Cataloguing)

Time to have good clear out!

Last week all staff at the BPMA had a good clear out, otherwise known as a ‘housekeeping day’.

This was an opportunity for all staff to focus their time and attention on sorting storage spaces within both our offices. This will greatly assist both our day to day operations and our plans for the New Centre.

Activities undertaken during the day included:

Reviewing the office reference library of professional literature, removing dated and duplicate publications

Our library - looking much more organised

Our library – looking much more organised

Tidying office notice boards and transferring publications to the office reference library

The tidied noticeboard (you should have seen it before!)

The tidied noticeboard (you should have seen it before!)

Checking and labelling shop stock

Immaculate shelving of shop DVDs

Immaculate shelving of shop DVDs

Tidying exhibition materials

Exhibitions area - parted like the red sea

Exhibitions area – parted like the red sea

Sorting learning packs and material for schools sessions

Crafts on the left, schools learning packs on the right

Crafts on the left, schools learning packs on the right

A large quantity of recycling and general waste was produced.

Some of the results of our clear out.

Some of the results of our clear out.

What this means

  • Staff now have space to work safely and efficiently.
  • They can access the materials they need to carry out their job quickly and easily.
  • We will be able to provide a better service to shop customers, schools, and other users as we can find the relevant materials easily.
  • Better workspaces lead to more efficient working, allowing staff to focus more on developing the New Centre rather than hunting for files.
  • There will be less clutter to transfer to the New Centre thus making the move process simpler.
  • Likewise less clutter means less office storage required in the New Centre, freeing space for more public focussed activities.

Regular ‘housekeeping days’ form part of the move preparation work. More information of other move related activities to follow shortly.

– Helen Dafter, Archivist

It’s a Project Archivist Christmas

As 2013 comes to a close, I’ve repackaged and catalogued over 1,000 files from the Archive. In this blog post, I’ll share a few of the methods I used to get this historic material processed and available for researchers as quickly as possible.

Project Archivist Matt reflects

Project Archivist Matt reflects on a year’s work.

As I wrote in my introductory post, most if not all archive services have backlogs of material that hasn’t been catalogued due to lack of time or staff. My main role as Project Archivist is to reduce the BPMA’s backlog, one section of the Archive at a time. So far I’ve eliminated four backlogs:

  • Organisation, circulation and sorting of inland mails (POST 17).
  • Post Office counter operations and services (POST 22).
  • Establishment records (POST 59).
  • Public Relations Department, predecessors and successors (POST 108).

Each backlog was composed of hundreds of individual files, ranging from administrative papers to technical plans to visual material like posters and photographs. The files had come into the Archive from many different sources over the past few decades. My task was to repackage and catalogue the files, and find places for them in the BPMA’s existing catalogue structure. I also needed to remove redundant files to free up much-needed repository space. And I wanted to make my descriptions reasonably detailed, to help people search for files in our online catalogue.

The working method I devised, therefore, was based around fast, detailed processing on a file-by-file basis. I had the opportunity to evaluate and refine the method after each backlog was finished. I also familiarised myself with More Product Less Process (MPLP) theory after recommendations from professional colleagues. While I didn’t completely embrace the MPLP approach, I adopted some of its ideas to increase efficiency.

I’m not going to hurl technical details at you, but here are some of the techniques I used to process over 1,000 wildly differing files alongside the other work I do at the BPMA.

1. Get to know the territory: Before starting, I visually inspected the entire backlog to get a rough idea of its extent and anything requiring special conservation treatment. I also collated any existing box lists and accession records, did background research, and compiled a glossary of terms used in file names.

2. Establish basic standards: I adopted a minimum standard of description and repackaging, which could be enhanced if a file warranted it. Any file containing a contents list or executive summary had it copied pretty much verbatim into the catalogue description, while files in stable ring binders were generally not repackaged.

3. Multi-task: I combined appraisal (i.e. deciding if we needed to keep the file), repackaging, physical arrangement and catalogue description into a single integrated process, performed on one file at a time. Intellectual arrangement of files into a catalogue structure was only done after all files had been processed.

4. Use simple, sensible numbering: The BPMA uses two numbering systems. Each file/item has a Finding Number, which is unique, fixed, and used by researchers and staff to retrieve archives for consultation. Files/items also have Reference Numbers, which structure the multi-level archival descriptions I described in this blog post. Reference Numbers aren’t seen by researchers and can be swapped around as often as needed. This is a really great way to do almost all the processing of files without having to worry about exactly where they’ll go in the catalogue.

Cataloguing database screen capture

A screen capture of Matt’s cataloguing database, showing some of the completed fields and the BPMA’s dual numbering system.

5. Wherever possible, get a computer to help: I designed a relational database in Access for all my project work. The database would automatically complete some catalogue fields, saving lots of time. It logged which files had been catalogued and which had been marked for disposal. I used it during processing to group files into rough subject categories, which were refined into catalogue sub-series at the end. Best of all, I could take all the descriptions I’d written in the database and import them into our catalogue software in one batch.

These are some of the techniques I’ve used in my work. Perhaps you might find them helpful if you’re working on a similar task. Of course, there are many other ways of working, and I’d be very interested to read your suggestions for how I could do things differently!

WW2 postal records

Christmas is all about opening boxes, but archivists get to do it every day! Here, Matt opens the first of several boxes of uncatalogued WW2 postal records.

My new project is to catalogue a large collection of British Army postal service records, dating from World War 2 to the 1980s. I’ll keep you posted.

Happy Christmas, and see you in the New Year!

– Matt Tantony, Project Archivist (Cataloguing)

Asking the Archive staff…

Matt ponders the results of the informal Archive staff survey.

Matt ponders the results of the informal Archive staff survey.

What types of places have archives? As part of #mattsfriday, I decided to run an informal survey of some of my colleagues in the Archive, Search Room and Conservation teams.

I got together with participating colleagues to compile a little list of all the different places where we’d worked with archives before we joined the BPMA. The survey covered both paid employment and work experience/volunteering. The end result was a list of 48 different institutions or organisations with archives! This, of course, doesn’t take into account our previous employment in non-archival jobs. The chart below divides the results up by category:

Institutions where participating BPMA staff have previously worked with archives. The key denotes the pie chart segments in clockwise order.

Institutions where participating BPMA staff have previously worked with archives. The key denotes the pie chart segments in clockwise order.

As you can see, there’s a huge diversity of previous experience being brought to the BPMA’s work! Staff members have worked for local authority archive services in England, Scotland and Wales. Some of us have worked for museums, galleries, and other cultural sites. There were also many universities and other higher education institutions with archives in the list: some of these were research collections managed by universities, others were the historic records of the institutions themselves. Some of us have worked for businesses, including the archives of at least two high street retail giants. Among our number we also have staff who have worked for national and specialist institutions including a film archive, the British Library, and The National Archives at Kew. Finally, the ‘Other’ category included Royal archives, a church organisation, and the private collections of a Duke.

This brief, informal survey also showed just how many different kinds of places keep archives – and employ archivists and conservators to look after them. This includes institutions in the public and private sectors, and large and small organisations. A career in archives really can take you almost anywhere. Of course, there are other careers in the heritage sector, just as the BPMA has other areas – curatorial, philatelic, etc. – in its collections. As we plan to move to our New Centre, it’s also helpful to think about how we’ve got to where we are.

– Matt Tantony, Project Archivist (Cataloguing)

Coming this Friday: #mattsfriday Twitter Takeover!

Matt presents the hashtag for the #mattsfriday Twitter Takeover.

Matt presents the hashtag for the #mattsfriday Twitter Takeover.

This Friday, 15 November, I’m taking over the British Postal Museum & Archive’s Twitter feed! If you’ve enjoyed any of my previous blog posts, now you’ve got a whole Friday to interact with an Archivist.

I shall be posting live tweets throughout the day, from approximately 07:45 to 17:00 GMT. Hopefully, it’ll give you a glimpse of all the different bits and pieces that form a typical Friday for a BPMA archivist. Although, as many archivists will tell you, one of the joys of the profession is that there’s no such thing as a “typical” day! I’ll also be posting photographs of what I’m getting up to behind the scenes. My fabulous flipchart may be getting involved too.

Follow our Twitter feed (@postalheritage) to catch my updates on Friday. I’ll be using the hashtag #mattsfriday for all my content.

But really, we’d love for you to join in on the day! Questions and comments are very welcome. Just tweet @postalheritage using the hashtag #mattsfriday and I’ll try to answer. Of course, the Archive is only one part of the BPMA’s work. I can’t advise on museum objects or philatelic issues, but if you’ve got questions about archives, or what archivists do, or perhaps even how to get into archives as a profession, please do send me a tweet!

This is a relatively new experiment by the BPMA in engaging with our online visitors around the world. Depending on how it goes, #mattsfriday might become a regular feature.

See you on Friday!
-Matt Tantony, Project Archivist (Cataloguing)

New display panel to be installed at our Search Room this week

We have recently been working with a designer to produce a new display panel, which is due to be installed this week in the Archive’s entrance lobby. This will show visitors our vision for the new museum we are planning both at Calthorpe House – down the street from the Archive’s current location at the corner of Mount Pleasant – and in part of the old Post Office Underground Railway network, Mail Rail.

Artist's impression of how the Mail Rail exhibition might look.

Artist’s impression of how the Mail Rail exhibition might look.

As you may be aware, our museum collection is currently held in storage in Debden, Essex. Due to lack of display space public access to this collection, a wonderful array of historical post office vehicles, letter boxes, uniforms and equipment, is severely limited, and the new museum will allow us to showcase these fantastic treasures in the manner that they deserve. There will be an interactive exhibition space with five zones charting the development of the Post Office and Royal Mail over the centuries, as well as a dedicated learning space which will be able to hold 10,000 school pupils and teachers every year.

Proposed exterior of the new postal museum at Calthorpe House.

Visualisation of a proposal for the exterior of the new postal museum at Calthorpe House.

The new museum will also contain a state-of-the-art search room and archive repository with brand new research facilities, and we will also be opening a section of Mount Pleasant’s subterranean Mail Rail depot as a permanent exhibition space charting the history of moving the mail.

Next time you visit us, please take a moment to view the display and see what we have in store for the future, and do feel free to let us know what you think of our plans.

– Robin Sampson, Archives/Records Assistant